Imaginary Landscape No. 3
E1453584
UNEXPLORED
Imaginary Landscape No. 3 is an experimental composition by John Cage that continues his pioneering exploration of chance operations, unconventional instrumentation, and electronic sound.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Imaginary Landscape No. 3 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T20693284 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Imaginary Landscape No. 3 Context triple: [Imaginary Landscape No. 4, relatedWorkByComposer, Imaginary Landscape No. 3]
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A.
Imaginary Landscape No. 2
Imaginary Landscape No. 2 is an experimental composition by John Cage that explores unconventional sound sources and indeterminacy within his pioneering "Imaginary Landscape" series.
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B.
Imaginary Landscape No. 4
Imaginary Landscape No. 4 is an experimental 1951 composition by John Cage for 12 radios and 24 performers that explores chance operations and indeterminacy in music.
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C.
Imaginary Landscape No. 1
Imaginary Landscape No. 1 is an early experimental composition by John Cage that pioneered the use of electronic sounds and unconventional instruments in modern music.
-
D.
Suprematist Composition
Suprematist Composition is an abstract geometric painting by Kazimir Malevich that exemplifies the radical non-objective style of the Suprematism movement.
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E.
Landscape with the Fall of Icarus
"Landscape with the Fall of Icarus" is a famous painting traditionally attributed to Pieter Bruegel the Elder that subtly depicts the myth of Icarus as a minor detail within a busy, indifferent everyday landscape.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Imaginary Landscape No. 3 Target entity description: Imaginary Landscape No. 3 is an experimental composition by John Cage that continues his pioneering exploration of chance operations, unconventional instrumentation, and electronic sound.
-
A.
Imaginary Landscape No. 2
Imaginary Landscape No. 2 is an experimental composition by John Cage that explores unconventional sound sources and indeterminacy within his pioneering "Imaginary Landscape" series.
-
B.
Imaginary Landscape No. 4
Imaginary Landscape No. 4 is an experimental 1951 composition by John Cage for 12 radios and 24 performers that explores chance operations and indeterminacy in music.
-
C.
Imaginary Landscape No. 1
Imaginary Landscape No. 1 is an early experimental composition by John Cage that pioneered the use of electronic sounds and unconventional instruments in modern music.
-
D.
Suprematist Composition
Suprematist Composition is an abstract geometric painting by Kazimir Malevich that exemplifies the radical non-objective style of the Suprematism movement.
-
E.
Landscape with the Fall of Icarus
"Landscape with the Fall of Icarus" is a famous painting traditionally attributed to Pieter Bruegel the Elder that subtly depicts the myth of Icarus as a minor detail within a busy, indifferent everyday landscape.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.