History of Experimental Music in the United States
E1445035
UNEXPLORED
History of Experimental Music in the United States is a seminal essay by composer John Cage that surveys and reflects on the development of experimental music practices in America.
All labels observed (1)
| Label | Occurrences |
|---|---|
| History of Experimental Music in the United States canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T20693662 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: History of Experimental Music in the United States Context triple: [Silence: Lectures and Writings, hasPart, History of Experimental Music in the United States]
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A.
Experimental Music: Cage and Beyond
Experimental Music: Cage and Beyond is a seminal musicological study that surveys and analyzes the development of experimental music in the 20th century, with particular emphasis on the influence of John Cage and his successors.
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B.
Tradition and Experiment in the New Music
Tradition and Experiment in the New Music is an influential musicological work by Charles Seeger that explores the relationship between historical musical practices and innovative compositional techniques in modern music.
-
C.
An Experiment in Modern Music
An Experiment in Modern Music was a 1924 New York concert organized by Paul Whiteman that famously introduced George Gershwin’s "Rhapsody in Blue" and showcased the emerging fusion of jazz and classical music.
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D.
The Evolution of the Art of Music
The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
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E.
Performance at the New York Avant-Garde Festival
Performance at the New York Avant-Garde Festival is an experimental, boundary-pushing live art piece by cellist and performance artist Charlotte Moorman, emblematic of her pioneering role in the 1960s and 1970s avant-garde movement.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: History of Experimental Music in the United States Target entity description: History of Experimental Music in the United States is a seminal essay by composer John Cage that surveys and reflects on the development of experimental music practices in America.
-
A.
Experimental Music: Cage and Beyond
Experimental Music: Cage and Beyond is a seminal musicological study that surveys and analyzes the development of experimental music in the 20th century, with particular emphasis on the influence of John Cage and his successors.
-
B.
Tradition and Experiment in the New Music
Tradition and Experiment in the New Music is an influential musicological work by Charles Seeger that explores the relationship between historical musical practices and innovative compositional techniques in modern music.
-
C.
An Experiment in Modern Music
An Experiment in Modern Music was a 1924 New York concert organized by Paul Whiteman that famously introduced George Gershwin’s "Rhapsody in Blue" and showcased the emerging fusion of jazz and classical music.
-
D.
The Evolution of the Art of Music
The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
-
E.
Performance at the New York Avant-Garde Festival
Performance at the New York Avant-Garde Festival is an experimental, boundary-pushing live art piece by cellist and performance artist Charlotte Moorman, emblematic of her pioneering role in the 1960s and 1970s avant-garde movement.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.