Call Me (instrumental)

Target entity: Call Me (instrumental)
Context triple: [Call Me, bSide, Call Me (instrumental)]

• A. U Don’t Have to Call
  "U Don’t Have to Call" is an R&B song originally by Usher, known for its smooth production and themes of post-breakup independence.
• B. I Hear a Call
  "I Hear a Call" is a country song recorded by Emmylou Harris for her 1993 album "Cowgirl's Prayer."
• C. Call Me
  "Call Me" is a popular song written by British composer Tony Hatch, best known for its catchy melody and success in the 1960s pop music scene.
• D. Call Me
  "Call Me" is a 1980 new wave and rock song by Blondie that became one of the band’s biggest hits and a defining track of the era.
• E. Call Me
  "Call Me" is a hip-hop track by Brooklyn rapper Joell Ortiz that showcases his introspective lyricism and storytelling over a soulful, boom-bap–influenced beat.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Call Me (instrumental)
Target entity description: "Call Me (instrumental)" is the instrumental version of the song "Call Me," typically released as the B-side of the single.

• A. U Don’t Have to Call
  "U Don’t Have to Call" is an R&B song originally by Usher, known for its smooth production and themes of post-breakup independence.
• B. I Hear a Call
  "I Hear a Call" is a country song recorded by Emmylou Harris for her 1993 album "Cowgirl's Prayer."
• C. Call Me
  "Call Me" is a 1973 soul album by Al Green, widely regarded as one of his finest works and a classic of the genre.
• D. Call Me
  "Call Me" is a 1980 new wave and rock song by Blondie that became one of the band’s biggest hits and a defining track of the era.
• E. Call Me
  "Call Me" is a popular song written by British composer Tony Hatch, best known for its catchy melody and success in the 1960s pop music scene.
• F. None of above. chosen