Oye Como Va
E143565
"Oye Como Va" is a classic Latin rock song, originally written by Tito Puente and popularized worldwide by Santana’s 1970 rendition blending Afro-Cuban rhythms with electric guitar.
All labels observed (3)
| Label | Occurrences |
|---|---|
| Oye Como Va canonical | 5 |
| Don’t Cry for Me Argentina | 1 |
| hit single Oye Como Va | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1249580 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Oye Como Va Context triple: [Carlos Santana, notableSong, Oye Como Va]
-
A.
Santana do Ipanema
Santana do Ipanema is a municipality in the Brazilian state of Alagoas, known as a regional commercial and service center in the state's semi-arid interior.
-
B.
Despacito
"Despacito" is a globally popular reggaeton-pop song by Luis Fonsi featuring Daddy Yankee that became one of the most streamed and viewed tracks in music history.
-
C.
Flamenco Beach
Flamenco Beach is a renowned white-sand, turquoise-water beach on the island of Culebra in Puerto Rico, often ranked among the most beautiful beaches in the world.
-
D.
Slave to the Rhythm
"Slave to the Rhythm" is a 1985 art-pop concept album and hit title track by Grace Jones, noted for its innovative production, rhythmic experimentation, and fusion of pop, funk, and avant-garde styles.
-
E.
Watermelon Man
"Watermelon Man" is a jazz standard composed by Herbie Hancock that became one of his most famous and frequently covered tunes, blending soulful grooves with catchy, accessible melodies.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Oye Como Va Target entity description: "Oye Como Va" is a classic Latin rock song, originally written by Tito Puente and popularized worldwide by Santana’s 1970 rendition blending Afro-Cuban rhythms with electric guitar.
-
A.
Santana do Ipanema
Santana do Ipanema is a municipality in the Brazilian state of Alagoas, known as a regional commercial and service center in the state's semi-arid interior.
-
B.
Despacito
"Despacito" is a globally popular reggaeton-pop song by Luis Fonsi featuring Daddy Yankee that became one of the most streamed and viewed tracks in music history.
-
C.
Flamenco Beach
Flamenco Beach is a renowned white-sand, turquoise-water beach on the island of Culebra in Puerto Rico, often ranked among the most beautiful beaches in the world.
-
D.
Slave to the Rhythm
"Slave to the Rhythm" is a 1985 art-pop concept album and hit title track by Grace Jones, noted for its innovative production, rhythmic experimentation, and fusion of pop, funk, and avant-garde styles.
-
E.
Watermelon Man
"Watermelon Man" is a jazz standard composed by Herbie Hancock that became one of his most famous and frequently covered tunes, blending soulful grooves with catchy, accessible melodies.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
musical work
ⓘ
song ⓘ |
| associatedWithArtist |
Santana (band)
ⓘ
surface form:
Santana
Tito Puente ⓘ |
| composer | Tito Puente ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| culturalImpact |
became a standard of Latin rock repertoire
ⓘ
helped popularize Latin rock internationally ⓘ |
| featuresInstrument |
electric guitar
ⓘ
organ ⓘ percussion ⓘ |
| genre |
Afro-Cuban
ⓘ
Latin rock ⓘ cha-cha-cha ⓘ |
| hasArrangementType |
ensemble with rhythm section and horns (original Tito Puente version)
ⓘ
rock band with Latin percussion (Santana version) ⓘ |
| hasCallPhrase | “Oye como va” ⓘ |
| hasChant | “Oye como va, mi ritmo” ⓘ |
| hasChorusLanguage | Spanish ⓘ |
| hasDanceForm | cha-cha-cha ⓘ |
| hasKeyCharacteristic |
call-and-response vocals
ⓘ
prominent groove-based bass line ⓘ syncopated Latin rhythm ⓘ |
| hasLiveStapleStatusFor |
Santana (band)
ⓘ
surface form:
Santana
|
| hasMeaningOfTitle | “Listen to how it goes” in English ⓘ |
| hasNotablePerformance | Santana’s performance at Woodstock-era concerts ⓘ |
| hasRecognition | widely regarded as a classic Latin rock song ⓘ |
| hasRhythmicOrigin | Cuban dance music traditions ⓘ |
| hasSignatureRiff | organ and guitar ostinato in Santana version ⓘ |
| hasTempo | medium tempo ⓘ |
| influencedByGenre |
Latin jazz
ⓘ
mambo ⓘ |
| isFrequentlyIncludedIn | Latin rock compilations ⓘ |
| isFrequentlyPerformedIn | Latin jazz concerts ⓘ |
| isPartOf |
Latin music canon
ⓘ
classic rock canon ⓘ |
| language | Spanish ⓘ |
| lyricist | Tito Puente ⓘ |
| lyricsTheme | celebration of rhythm and dance ⓘ |
| madeFamousBy |
Santana (band)
ⓘ
surface form:
Santana
|
| musicalStyle | Afro-Cuban rhythms blended with rock ⓘ |
| notableCoverArtist |
Santana (band)
ⓘ
surface form:
Santana
|
| originalArtist | Tito Puente ⓘ |
| originalReleaseDecade | 1960s ⓘ |
| recordLabelOfSantanaVersion | Columbia Records ⓘ |
| releaseYear | 1963 ⓘ |
| SantanaVersionAlbum | Abraxas ⓘ |
| SantanaVersionReleaseYear | 1970 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Oye Como Va Description of subject: "Oye Como Va" is a classic Latin rock song, originally written by Tito Puente and popularized worldwide by Santana’s 1970 rendition blending Afro-Cuban rhythms with electric guitar.
Referenced by (7)
Full triples — surface form annotated when it differs from this entity's canonical label.