Women at the Sepulchre in Western art
E1423125
UNEXPLORED
Women at the Sepulchre in Western art refers to the recurring Christian iconographic motif depicting the female followers of Jesus discovering his empty tomb and receiving the news of the Resurrection.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Women at the Sepulchre in Western art canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T20320615 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Women at the Sepulchre in Western art Context triple: [Myrrhbearers at the tomb, relatedConcept, Women at the Sepulchre in Western art]
-
A.
The Dead Christ Mourned (The Three Maries)
The Dead Christ Mourned (The Three Maries) is a late 16th-century Italian Baroque painting by Annibale Carracci depicting the emotional lamentation over Christ’s body by the Virgin Mary and other mourners.
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B.
Mary Magdalene (painting)
Mary Magdalene is a religious oil painting by Dutch Renaissance artist Jan van Scorel, depicting the biblical figure Mary Magdalene in a refined, humanized manner characteristic of early 16th-century Northern European art.
-
C.
The Sexuality of Christ in Renaissance Art and in Modern Oblivion
The Sexuality of Christ in Renaissance Art and in Modern Oblivion is an influential art-historical study by Leo Steinberg that argues Renaissance artists deliberately depicted Christ’s genitals to affirm his full humanity and challenge modern assumptions about religious imagery.
-
D.
Seeing Salvation: Images of Christ in Art
Seeing Salvation: Images of Christ in Art is an illustrated study and exhibition catalogue by Neil MacGregor that explores how artists across history have depicted the figure of Christ and shaped Christian visual culture.
-
E.
Sheela-Na-Gig
"Sheela-Na-Gig" is a 1992 alternative rock song by PJ Harvey, noted for its raw sound and provocative feminist themes.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Women at the Sepulchre in Western art Target entity description: Women at the Sepulchre in Western art refers to the recurring Christian iconographic motif depicting the female followers of Jesus discovering his empty tomb and receiving the news of the Resurrection.
-
A.
The Dead Christ Mourned (The Three Maries)
The Dead Christ Mourned (The Three Maries) is a late 16th-century Italian Baroque painting by Annibale Carracci depicting the emotional lamentation over Christ’s body by the Virgin Mary and other mourners.
-
B.
Mary Magdalene (painting)
Mary Magdalene is a religious oil painting by Dutch Renaissance artist Jan van Scorel, depicting the biblical figure Mary Magdalene in a refined, humanized manner characteristic of early 16th-century Northern European art.
-
C.
The Sexuality of Christ in Renaissance Art and in Modern Oblivion
The Sexuality of Christ in Renaissance Art and in Modern Oblivion is an influential art-historical study by Leo Steinberg that argues Renaissance artists deliberately depicted Christ’s genitals to affirm his full humanity and challenge modern assumptions about religious imagery.
-
D.
Seeing Salvation: Images of Christ in Art
Seeing Salvation: Images of Christ in Art is an illustrated study and exhibition catalogue by Neil MacGregor that explores how artists across history have depicted the figure of Christ and shaped Christian visual culture.
-
E.
Sheela-Na-Gig
"Sheela-Na-Gig" is a 1992 alternative rock song by PJ Harvey, noted for its raw sound and provocative feminist themes.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.