The Technique of Film Editing
E1406307
UNEXPLORED
The Technique of Film Editing is a seminal textbook on the art and craft of film editing, widely regarded as a foundational resource for filmmakers and students of cinema.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Technique of Film Editing canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T19990418 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Technique of Film Editing Context triple: [Karel Reisz, wrote, The Technique of Film Editing]
-
A.
When the Shooting Stops ... the Cutting Begins: A Film Editor's Story
"When the Shooting Stops ... the Cutting Begins: A Film Editor's Story" is a memoir and craft-focused book that offers an insider’s look at the art and process of film editing in Hollywood and New York.
-
B.
The Conversations: Walter Murch and the Art of Editing Film
*The Conversations: Walter Murch and the Art of Editing Film* is a book-length dialogue that explores acclaimed editor and sound designer Walter Murch’s philosophies, techniques, and creative process in film editing and sound.
-
C.
classical Hollywood continuity editing
Classical Hollywood continuity editing is a film editing style designed to create a seamless, invisible flow of narrative through techniques like match cuts, shot/reverse shot, and the 180-degree rule so that viewers can easily follow story and spatial relationships.
-
D.
The Grip of Film
The Grip of Film is a humorous, idiosyncratic film book by British comedian and filmmaker Richard Ayoade, offering a satirical take on cinema and movie culture.
-
E.
Cinema 1: The Movement-Image
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Technique of Film Editing Target entity description: The Technique of Film Editing is a seminal textbook on the art and craft of film editing, widely regarded as a foundational resource for filmmakers and students of cinema.
-
A.
When the Shooting Stops ... the Cutting Begins: A Film Editor's Story
"When the Shooting Stops ... the Cutting Begins: A Film Editor's Story" is a memoir and craft-focused book that offers an insider’s look at the art and process of film editing in Hollywood and New York.
-
B.
The Conversations: Walter Murch and the Art of Editing Film
*The Conversations: Walter Murch and the Art of Editing Film* is a book-length dialogue that explores acclaimed editor and sound designer Walter Murch’s philosophies, techniques, and creative process in film editing and sound.
-
C.
classical Hollywood continuity editing
Classical Hollywood continuity editing is a film editing style designed to create a seamless, invisible flow of narrative through techniques like match cuts, shot/reverse shot, and the 180-degree rule so that viewers can easily follow story and spatial relationships.
-
D.
The Grip of Film
The Grip of Film is a humorous, idiosyncratic film book by British comedian and filmmaker Richard Ayoade, offering a satirical take on cinema and movie culture.
-
E.
Cinema 1: The Movement-Image
"Cinema 1: The Movement-Image" is a seminal philosophical work by Gilles Deleuze that develops a rigorous taxonomy of cinematic images and signs to rethink movement, time, and perception in film.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.