Extase, Op. 21
E1386874
UNEXPLORED
Extase, Op. 21 is a lyrical and expressive violin piece by Belgian virtuoso-composer Eugène Ysaÿe, showcasing his late-Romantic style and rich harmonic language.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Extase, Op. 21 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T19615977 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Extase, Op. 21 Context triple: [Eugène Ysaÿe, notableWork, Extase, Op. 21]
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A.
Poème de l’extase, Op. 54
Poème de l’extase, Op. 54 is a symphonic poem by Alexander Scriabin that exemplifies his late, highly chromatic and mystical orchestral style.
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B.
Nirwana, Op. 20
"Nirwana, Op. 20" is a lesser-known Romantic-era composition by German pianist, conductor, and composer Hans von Bülow.
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C.
Seven Fantasias, Op. 116
Seven Fantasias, Op. 116 is a late piano collection by Johannes Brahms, comprising a set of character pieces that mark the beginning of his final series of works for solo piano.
-
D.
Fata Morgana, Op. 6
Fata Morgana, Op. 6 is an early song cycle by Czech composer Pavel Haas, notable for its expressive modernist style and setting of Czech poetry.
-
E.
Erwartung, Op. 17
Erwartung, Op. 17 is a one-act monodrama for soprano and orchestra by Arnold Schoenberg, noted for its intensely expressionist style and atonal musical language.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Extase, Op. 21 Target entity description: Extase, Op. 21 is a lyrical and expressive violin piece by Belgian virtuoso-composer Eugène Ysaÿe, showcasing his late-Romantic style and rich harmonic language.
-
A.
Poème de l’extase, Op. 54
Poème de l’extase, Op. 54 is a symphonic poem by Alexander Scriabin that exemplifies his late, highly chromatic and mystical orchestral style.
-
B.
Nirwana, Op. 20
"Nirwana, Op. 20" is a lesser-known Romantic-era composition by German pianist, conductor, and composer Hans von Bülow.
-
C.
Seven Fantasias, Op. 116
Seven Fantasias, Op. 116 is a late piano collection by Johannes Brahms, comprising a set of character pieces that mark the beginning of his final series of works for solo piano.
-
D.
Fata Morgana, Op. 6
Fata Morgana, Op. 6 is an early song cycle by Czech composer Pavel Haas, notable for its expressive modernist style and setting of Czech poetry.
-
E.
Erwartung, Op. 17
Erwartung, Op. 17 is a one-act monodrama for soprano and orchestra by Arnold Schoenberg, noted for its intensely expressionist style and atonal musical language.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.