Performance at the New York Avant-Garde Festival
E1386799
UNEXPLORED
Performance at the New York Avant-Garde Festival is an experimental, boundary-pushing live art piece by cellist and performance artist Charlotte Moorman, emblematic of her pioneering role in the 1960s and 1970s avant-garde movement.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Performance at the New York Avant-Garde Festival canonical | 1 |
| Performance at the New York Avant-Garde Festival in a police station | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T19633869 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Performance at the New York Avant-Garde Festival Context triple: [Charlotte Moorman, notableWork, Performance at the New York Avant-Garde Festival]
-
A.
Tradition and Experiment in the New Music
Tradition and Experiment in the New Music is an influential musicological work by Charles Seeger that explores the relationship between historical musical practices and innovative compositional techniques in modern music.
-
B.
Experimental Music: Cage and Beyond
Experimental Music: Cage and Beyond is a seminal musicological study that surveys and analyzes the development of experimental music in the 20th century, with particular emphasis on the influence of John Cage and his successors.
-
C.
Darmstadt Summer Courses for New Music
The Darmstadt Summer Courses for New Music is an influential post–World War II contemporary music festival and school in Germany that became a central hub for avant-garde composition and experimental musical thought.
-
D.
An Experiment in Modern Music
An Experiment in Modern Music was a 1924 New York concert organized by Paul Whiteman that famously introduced George Gershwin’s "Rhapsody in Blue" and showcased the emerging fusion of jazz and classical music.
-
E.
Women, the New York School, and Other True Abstractions
Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Performance at the New York Avant-Garde Festival Target entity description: Performance at the New York Avant-Garde Festival is an experimental, boundary-pushing live art piece by cellist and performance artist Charlotte Moorman, emblematic of her pioneering role in the 1960s and 1970s avant-garde movement.
-
A.
Tradition and Experiment in the New Music
Tradition and Experiment in the New Music is an influential musicological work by Charles Seeger that explores the relationship between historical musical practices and innovative compositional techniques in modern music.
-
B.
Experimental Music: Cage and Beyond
Experimental Music: Cage and Beyond is a seminal musicological study that surveys and analyzes the development of experimental music in the 20th century, with particular emphasis on the influence of John Cage and his successors.
-
C.
Darmstadt Summer Courses for New Music
The Darmstadt Summer Courses for New Music is an influential post–World War II contemporary music festival and school in Germany that became a central hub for avant-garde composition and experimental musical thought.
-
D.
An Experiment in Modern Music
An Experiment in Modern Music was a 1924 New York concert organized by Paul Whiteman that famously introduced George Gershwin’s "Rhapsody in Blue" and showcased the emerging fusion of jazz and classical music.
-
E.
Women, the New York School, and Other True Abstractions
Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
- F. None of above. chosen
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
Charlotte Moorman
→
notableWork
→
Performance at the New York Avant-Garde Festival in a police station
ⓘ
linked to: Performance at the New York Avant-Garde Festival