Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music

Target entity: Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music
Context triple: [Michael P. Steinberg, hasWritten, Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music]

• A. The Aesthetics of Music
  The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
• B. The Evolution of the Art of Music
  The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
• C. The Structure of Music: A Listener’s Guide
  The Structure of Music: A Listener’s Guide is a music-theoretical book by composer and theorist Milton Babbitt that introduces listeners to the principles and organization of modern musical works.
• D. The Composer’s Advocate: A Radical Orthodoxy for Musicians
  The Composer’s Advocate: A Radical Orthodoxy for Musicians is a musicological work that argues for a principled, composer-centered approach to interpreting and performing musical scores.
• E. Philosophy of New Music
  Philosophy of New Music is a seminal 1949 work of critical musicology and aesthetic theory by Theodor W. Adorno that contrasts Schoenberg’s modernism with Stravinsky’s neoclassicism to explore the social and philosophical meaning of twentieth-century music.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music
Target entity description: Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music is a scholarly study that explores how nineteenth-century European music both shaped and reflected contemporary ideas about culture, identity, and the listening self.

• A. The Aesthetics of Music
  The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
• B. The Evolution of the Art of Music
  The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
• C. The Structure of Music: A Listener’s Guide
  The Structure of Music: A Listener’s Guide is a music-theoretical book by composer and theorist Milton Babbitt that introduces listeners to the principles and organization of modern musical works.
• D. The Composer’s Advocate: A Radical Orthodoxy for Musicians
  The Composer’s Advocate: A Radical Orthodoxy for Musicians is a musicological work that argues for a principled, composer-centered approach to interpreting and performing musical scores.
• E. Philosophy of New Music
  Philosophy of New Music is a seminal 1949 work of critical musicology and aesthetic theory by Theodor W. Adorno that contrasts Schoenberg’s modernism with Stravinsky’s neoclassicism to explore the social and philosophical meaning of twentieth-century music.
• F. None of above. chosen