The Ghost Breaker (play)
E1316702
UNEXPLORED
The Ghost Breaker (play) is an early 20th-century American stage comedy-thriller about ghost hunting and hidden treasure that later inspired multiple film adaptations.
All labels observed (3)
| Label | Occurrences |
|---|---|
| The Ghost Breaker (play) canonical | 2 |
| The Ghost Breaker (1914 adaptation) | 1 |
| The Ghost Breaker (1914 film) | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T18289707 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Ghost Breaker (play) Context triple: [The Ghost Breaker (1922 film), basedOn, The Ghost Breaker (play)]
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A.
Ghosts I–IV
Ghosts I–IV is an experimental, mostly instrumental album by Nine Inch Nails that explores ambient, industrial, and electronic soundscapes across four themed volumes.
-
B.
The Sign on the Door (play)
The Sign on the Door is a 1919 stage drama by American playwright Marion Fairfax, best known for its suspenseful plot involving secrets, blackmail, and moral dilemmas.
-
C.
Remains to Be Seen (play)
Remains to Be Seen is a mid-20th-century Broadway comedy play co-written by Howard Lindsay that blends murder mystery elements with lighthearted, sophisticated humor.
-
D.
The Man in the Glass Booth (play)
The Man in the Glass Booth is a stage play by Robert Shaw that explores identity, guilt, and the legacy of the Holocaust through the trial of a wealthy Jewish industrialist accused of being a Nazi war criminal.
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E.
Ghosts Pounding the Wall
Ghosts Pounding the Wall is a conceptual art project by Chinese artist Xu Bing that critically engages with history, language, and cultural memory through experimental visual forms.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Ghost Breaker (play) Target entity description: The Ghost Breaker (play) is an early 20th-century American stage comedy-thriller about ghost hunting and hidden treasure that later inspired multiple film adaptations.
-
A.
Ghosts I–IV
Ghosts I–IV is an experimental, mostly instrumental album by Nine Inch Nails that explores ambient, industrial, and electronic soundscapes across four themed volumes.
-
B.
The Sign on the Door (play)
The Sign on the Door is a 1919 stage drama by American playwright Marion Fairfax, best known for its suspenseful plot involving secrets, blackmail, and moral dilemmas.
-
C.
Remains to Be Seen (play)
Remains to Be Seen is a mid-20th-century Broadway comedy play co-written by Howard Lindsay that blends murder mystery elements with lighthearted, sophisticated humor.
-
D.
The Man in the Glass Booth (play)
The Man in the Glass Booth is a stage play by Robert Shaw that explores identity, guilt, and the legacy of the Holocaust through the trial of a wealthy Jewish industrialist accused of being a Nazi war criminal.
-
E.
Ghosts Pounding the Wall
Ghosts Pounding the Wall is a conceptual art project by Chinese artist Xu Bing that critically engages with history, language, and cultural memory through experimental visual forms.
- F. None of above. chosen
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.
linked to: The Ghost Breaker (play)
linked to: The Ghost Breaker (play)