Live: Hope at the Hideout
E1307554
UNEXPLORED
Live: Hope at the Hideout is a live album by American singer and activist Mavis Staples, showcasing her powerful gospel and soul performances recorded at Chicago’s Hideout club.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Live: Hope at the Hideout canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T18140792 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Live: Hope at the Hideout Context triple: [We'll Never Turn Back, followedBy, Live: Hope at the Hideout]
-
A.
Live! At the Knitting Factory
"Live! At the Knitting Factory" is a live EP by the Washington, D.C. post-punk band The Make-Up, capturing their energetic, gospel-infused garage rock performance at New York's Knitting Factory venue.
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B.
Live at the Hurrah
Live at the Hurrah is a live album capturing Welsh post-punk band Young Marble Giants’ minimalist performance at New York’s Hurrah nightclub in 1980.
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C.
Live at the Loa
Live at the Loa is a live jazz album by the Ray Brown Trio, celebrated for its virtuosic bass playing and intimate club atmosphere.
-
D.
Live at the Regal
Live at the Regal is a landmark 1965 live blues album by B.B. King, widely celebrated for its electrifying performance and major influence on blues and rock guitarists.
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E.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Live: Hope at the Hideout Target entity description: Live: Hope at the Hideout is a live album by American singer and activist Mavis Staples, showcasing her powerful gospel and soul performances recorded at Chicago’s Hideout club.
-
A.
Live! At the Knitting Factory
"Live! At the Knitting Factory" is a live EP by the Washington, D.C. post-punk band The Make-Up, capturing their energetic, gospel-infused garage rock performance at New York's Knitting Factory venue.
-
B.
Live at the Hurrah
Live at the Hurrah is a live album capturing Welsh post-punk band Young Marble Giants’ minimalist performance at New York’s Hurrah nightclub in 1980.
-
C.
Live at the Loa
Live at the Loa is a live jazz album by the Ray Brown Trio, celebrated for its virtuosic bass playing and intimate club atmosphere.
-
D.
Live at the Regal
Live at the Regal is a landmark 1965 live blues album by B.B. King, widely celebrated for its electrifying performance and major influence on blues and rock guitarists.
-
E.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject linked to:
solo album "We'll Never Turn Back"