The Music Profession in Britain since the Eighteenth Century
E1303808
UNEXPLORED
The Music Profession in Britain since the Eighteenth Century is a historical study that traces the development, social status, and economic conditions of professional musicians in Britain from the 1700s onward.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Music Profession in Britain since the Eighteenth Century canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T18068627 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Music Profession in Britain since the Eighteenth Century Context triple: [Cyril Ehrlich, notableWork, The Music Profession in Britain since the Eighteenth Century]
-
A.
A General History of Music, from the Earliest Ages to the Present Period
A General History of Music, from the Earliest Ages to the Present Period is an influential multi-volume 18th-century survey of Western music history that helped establish musicology as a scholarly discipline.
-
B.
The Evolution of the Art of Music
The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
-
C.
O Sing unto the Lord: A History of English Church Music
O Sing unto the Lord: A History of English Church Music is a comprehensive survey of the development, context, and key figures of English church music from its earliest roots to the present day.
-
D.
The Present State of Music in Germany, the Netherlands, and United Provinces
The Present State of Music in Germany, the Netherlands, and United Provinces is an 18th-century travelogue and critical survey in which Charles Burney documents and evaluates the musical life, performers, and institutions of central and northern Europe.
-
E.
The Composer’s Advocate: A Radical Orthodoxy for Musicians
The Composer’s Advocate: A Radical Orthodoxy for Musicians is a musicological work that argues for a principled, composer-centered approach to interpreting and performing musical scores.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Music Profession in Britain since the Eighteenth Century Target entity description: The Music Profession in Britain since the Eighteenth Century is a historical study that traces the development, social status, and economic conditions of professional musicians in Britain from the 1700s onward.
-
A.
A General History of Music, from the Earliest Ages to the Present Period
A General History of Music, from the Earliest Ages to the Present Period is an influential multi-volume 18th-century survey of Western music history that helped establish musicology as a scholarly discipline.
-
B.
The Evolution of the Art of Music
The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
-
C.
O Sing unto the Lord: A History of English Church Music
O Sing unto the Lord: A History of English Church Music is a comprehensive survey of the development, context, and key figures of English church music from its earliest roots to the present day.
-
D.
The Present State of Music in Germany, the Netherlands, and United Provinces
The Present State of Music in Germany, the Netherlands, and United Provinces is an 18th-century travelogue and critical survey in which Charles Burney documents and evaluates the musical life, performers, and institutions of central and northern Europe.
-
E.
The Composer’s Advocate: A Radical Orthodoxy for Musicians
The Composer’s Advocate: A Radical Orthodoxy for Musicians is a musicological work that argues for a principled, composer-centered approach to interpreting and performing musical scores.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.