Fantastic Art, Dada, Surrealism (exhibition at MoMA)

Target entity: Fantastic Art, Dada, Surrealism (exhibition at MoMA)
Context triple: [Alfred H. Barr Jr., curated, Fantastic Art, Dada, Surrealism (exhibition at MoMA)]

• A. New York Dada
  New York Dada was an early 20th-century avant-garde art movement centered in New York City that challenged traditional aesthetics through radical experimentation, irony, and anti-art practices.
• B. Dada Panorama
  Dada Panorama is a major photomontage artwork by German Dada artist Hannah Höch, exemplifying her experimental collage techniques and critical engagement with Weimar-era culture.
• C. Women, the New York School, and Other True Abstractions
  Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
• D. Exposition Internationale du Surréalisme
  Exposition Internationale du Surréalisme was a landmark 1938 Paris exhibition that dramatically showcased Surrealist art and ideas through immersive, dreamlike installations and performances.
• E. New Documents (Museum of Modern Art, 1967)
  New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Fantastic Art, Dada, Surrealism (exhibition at MoMA)
Target entity description: Fantastic Art, Dada, Surrealism (exhibition at MoMA) was a landmark 1936–37 Museum of Modern Art exhibition that introduced American audiences to avant-garde movements such as Dada and Surrealism through a wide-ranging display of modern and fantastical art.

• A. New York Dada
  New York Dada was an early 20th-century avant-garde art movement centered in New York City that challenged traditional aesthetics through radical experimentation, irony, and anti-art practices.
• B. Dada Panorama
  Dada Panorama is a major photomontage artwork by German Dada artist Hannah Höch, exemplifying her experimental collage techniques and critical engagement with Weimar-era culture.
• C. Women, the New York School, and Other True Abstractions
  Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
• D. Exposition Internationale du Surréalisme
  Exposition Internationale du Surréalisme was a landmark 1938 Paris exhibition that dramatically showcased Surrealist art and ideas through immersive, dreamlike installations and performances.
• E. New Documents (Museum of Modern Art, 1967)
  New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
• F. None of above. chosen