Satin Doll
E126751
"Satin Doll" is a classic jazz standard composed by Duke Ellington (with contributions from Billy Strayhorn and lyrics later added by Johnny Mercer) that has become one of his most frequently performed and recorded pieces.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Satin Doll canonical | 2 |
| Satin Doll (lyrics) | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1070231 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Satin Doll Context triple: [Duke Ellington, notableWork, Satin Doll]
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A.
Silk Stockings
Silk Stockings is a 1957 musical film adaptation of the stage musical (itself based on the film Ninotchka), best known for starring Fred Astaire in one of his final major screen musical roles.
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B.
Baby Doll
Baby Doll is a 1956 American black comedy–drama film, adapted from Tennessee Williams’s work, noted for its controversial sexual themes and Southern Gothic style.
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C.
Sophisticated Lady
"Sophisticated Lady" is a classic jazz standard composed by Duke Ellington, renowned for its lush harmonies and evocative, melancholic mood.
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D.
Doin’ the Suzie-Q
"Doin’ the Suzie-Q" is a jazz composition associated with pioneering pianist, composer, and bandleader Lil Hardin Armstrong, reflecting her influential role in early jazz and swing-era music.
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E.
One O’Clock Jump
One O’Clock Jump is a classic 1937 swing-era jazz instrumental and signature tune of the Count Basie Orchestra, renowned for its riff-based structure and driving rhythm.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Satin Doll Target entity description: "Satin Doll" is a classic jazz standard composed by Duke Ellington (with contributions from Billy Strayhorn and lyrics later added by Johnny Mercer) that has become one of his most frequently performed and recorded pieces.
-
A.
Silk Stockings
Silk Stockings is a 1957 musical film adaptation of the stage musical (itself based on the film Ninotchka), best known for starring Fred Astaire in one of his final major screen musical roles.
-
B.
Baby Doll
Baby Doll is a 1956 American black comedy–drama film, adapted from Tennessee Williams’s work, noted for its controversial sexual themes and Southern Gothic style.
-
C.
Sophisticated Lady
"Sophisticated Lady" is a classic jazz standard composed by Duke Ellington, renowned for its lush harmonies and evocative, melancholic mood.
-
D.
Doin’ the Suzie-Q
"Doin’ the Suzie-Q" is a jazz composition associated with pioneering pianist, composer, and bandleader Lil Hardin Armstrong, reflecting her influential role in early jazz and swing-era music.
-
E.
One O’Clock Jump
One O’Clock Jump is a classic 1937 swing-era jazz instrumental and signature tune of the Count Basie Orchestra, renowned for its riff-based structure and driving rhythm.
- F. None of above. chosen
Statements (48)
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Satin Doll Description of subject: "Satin Doll" is a classic jazz standard composed by Duke Ellington (with contributions from Billy Strayhorn and lyrics later added by Johnny Mercer) that has become one of his most frequently performed and recorded pieces.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.