Film as a Subversive Art
E1106770
UNEXPLORED
Film as a Subversive Art is a seminal critical study that surveys and champions politically and aesthetically radical cinema, highlighting how films can challenge social norms and dominant ideologies.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Film as a Subversive Art canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T14567481 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Film as a Subversive Art Context triple: [Amos Vogel, notableWork, Film as a Subversive Art]
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A.
Visible Man, or the Culture of Film
"Visible Man, or the Culture of Film" is a foundational early film theory book by Béla Balázs that explores the aesthetics and cultural significance of cinema.
-
B.
The Grip of Film
The Grip of Film is a humorous, idiosyncratic film book by British comedian and filmmaker Richard Ayoade, offering a satirical take on cinema and movie culture.
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C.
The World Viewed: Reflections on the Ontology of Film
The World Viewed: Reflections on the Ontology of Film is a seminal philosophical work by Stanley Cavell that explores the nature, aesthetics, and significance of cinema.
-
D.
The Aesthetics of Resistance
The Aesthetics of Resistance is a monumental three-volume novel by Peter Weiss that blends political history, art criticism, and fictional narrative to explore anti-fascist resistance and working-class consciousness in 20th-century Europe.
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E.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Film as a Subversive Art Target entity description: Film as a Subversive Art is a seminal critical study that surveys and champions politically and aesthetically radical cinema, highlighting how films can challenge social norms and dominant ideologies.
-
A.
Visible Man, or the Culture of Film
"Visible Man, or the Culture of Film" is a foundational early film theory book by Béla Balázs that explores the aesthetics and cultural significance of cinema.
-
B.
The Grip of Film
The Grip of Film is a humorous, idiosyncratic film book by British comedian and filmmaker Richard Ayoade, offering a satirical take on cinema and movie culture.
-
C.
The World Viewed: Reflections on the Ontology of Film
The World Viewed: Reflections on the Ontology of Film is a seminal philosophical work by Stanley Cavell that explores the nature, aesthetics, and significance of cinema.
-
D.
The Aesthetics of Resistance
The Aesthetics of Resistance is a monumental three-volume novel by Peter Weiss that blends political history, art criticism, and fictional narrative to explore anti-fascist resistance and working-class consciousness in 20th-century Europe.
-
E.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.