Barber Op. 22
E1052827
UNEXPLORED
Barber Op. 22 is the catalogue designation for Samuel Barber’s Cello Concerto, a mid-20th-century American concerto known for its lyrical intensity and virtuosic demands.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Barber Op. 22 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T13607854 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Barber Op. 22 Context triple: [Cello Concerto, Op. 22, catalogueNumber, Barber Op. 22]
-
A.
Barber Op. 14
Barber Op. 14 is the catalog designation for Samuel Barber’s Violin Concerto, a lyrical and widely performed 20th-century American concerto.
-
B.
Mit Vergnügen op. 228
"Mit Vergnügen" op. 228 is a lively polka composed by Austrian dance-music composer Eduard Strauss.
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C.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
D.
Intermezzi, Op. 117
Intermezzi, Op. 117 is a set of three introspective piano pieces by Johannes Brahms, often regarded as some of his most poetic and autumnal late works.
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E.
Kamennoi-Ostrow, Op. 10
Kamennoi-Ostrow, Op. 10 is a set of romantic piano pieces by Anton Rubinstein, best known for its lyrical and virtuosic character.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Barber Op. 22 Target entity description: Barber Op. 22 is the catalogue designation for Samuel Barber’s Cello Concerto, a mid-20th-century American concerto known for its lyrical intensity and virtuosic demands.
-
A.
Barber Op. 14
Barber Op. 14 is the catalog designation for Samuel Barber’s Violin Concerto, a lyrical and widely performed 20th-century American concerto.
-
B.
Mit Vergnügen op. 228
"Mit Vergnügen" op. 228 is a lively polka composed by Austrian dance-music composer Eduard Strauss.
-
C.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
D.
Intermezzi, Op. 117
Intermezzi, Op. 117 is a set of three introspective piano pieces by Johannes Brahms, often regarded as some of his most poetic and autumnal late works.
-
E.
Kamennoi-Ostrow, Op. 10
Kamennoi-Ostrow, Op. 10 is a set of romantic piano pieces by Anton Rubinstein, best known for its lyrical and virtuosic character.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.