Piano Sonata No. 6, Op. 62
E1044551
Piano Sonata No. 6, Op. 62 is a dark, harmonically adventurous piano work by Alexander Scriabin that marks his late, highly mystical and atonal compositional style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Piano Sonata No. 6, Op. 62 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T13513454 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Piano Sonata No. 6, Op. 62 Context triple: [Alexander Scriabin, notableWork, Piano Sonata No. 6, Op. 62]
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A.
Piano Sonata No. 2 in B-flat minor, Op. 36
Piano Sonata No. 2 in B-flat minor, Op. 36 is a large-scale, virtuosic and emotionally intense piano work by Sergei Rachmaninoff, noted for its sweeping Romantic lyricism and technical demands.
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B.
Piano Sonata in F-sharp minor, Op. 81
Piano Sonata in F-sharp minor, Op. 81 is a substantial and expressive keyboard work by early Romantic composer Johann Nepomuk Hummel, showcasing his virtuosic pianistic style and lyrical inventiveness.
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C.
Sonata No. 6 in G minor, Op. 2
Sonata No. 6 in G minor, Op. 2 is a baroque trio sonata movement by Arcangelo Corelli, known for its expressive minor-key writing and contrapuntal interplay between the upper voices.
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D.
Piano Sonata No. 27 in E minor, Op. 90
Piano Sonata No. 27 in E minor, Op. 90 is a late-period two-movement piano sonata by Ludwig van Beethoven, noted for its concise form and expressive, proto-Romantic character.
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E.
Piano Sonata No. 22 in F major, Op. 54
Piano Sonata No. 22 in F major, Op. 54 is a relatively brief and often overlooked middle-period piano sonata by Ludwig van Beethoven, notable for its unconventional two-movement structure and contrasting character.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Piano Sonata No. 6, Op. 62 Target entity description: Piano Sonata No. 6, Op. 62 is a dark, harmonically adventurous piano work by Alexander Scriabin that marks his late, highly mystical and atonal compositional style.
-
A.
Piano Sonata No. 2 in B-flat minor, Op. 36
Piano Sonata No. 2 in B-flat minor, Op. 36 is a large-scale, virtuosic and emotionally intense piano work by Sergei Rachmaninoff, noted for its sweeping Romantic lyricism and technical demands.
-
B.
Piano Sonata in F-sharp minor, Op. 81
Piano Sonata in F-sharp minor, Op. 81 is a substantial and expressive keyboard work by early Romantic composer Johann Nepomuk Hummel, showcasing his virtuosic pianistic style and lyrical inventiveness.
-
C.
Sonata No. 6 in G minor, Op. 2
Sonata No. 6 in G minor, Op. 2 is a baroque trio sonata movement by Arcangelo Corelli, known for its expressive minor-key writing and contrapuntal interplay between the upper voices.
-
D.
Piano Sonata No. 27 in E minor, Op. 90
Piano Sonata No. 27 in E minor, Op. 90 is a late-period two-movement piano sonata by Ludwig van Beethoven, noted for its concise form and expressive, proto-Romantic character.
-
E.
Piano Sonata No. 22 in F major, Op. 54
Piano Sonata No. 22 in F major, Op. 54 is a relatively brief and often overlooked middle-period piano sonata by Ludwig van Beethoven, notable for its unconventional two-movement structure and contrasting character.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
piano sonata
ⓘ
solo piano work ⓘ |
| approximateCompositionPeriod |
Scriabin’s late period
ⓘ
early 20th century ⓘ |
| associatedConcept |
mysticism
ⓘ
theosophy ⓘ |
| catalogNumber | Op. 62 ⓘ |
| character |
dark
ⓘ
harmonically adventurous ⓘ mysterious ⓘ |
| composer | Alexander Scriabin NERFINISHED ⓘ |
| compositionalStyle |
atonal tendencies
ⓘ
highly chromatic ⓘ late Scriabin harmonic language ⓘ mystical ⓘ |
| countryOfOrigin | Russia ⓘ |
| dedicatedTo | no known dedicatee ⓘ |
| followedBy | Piano Sonata No. 7, Op. 64 NERFINISHED ⓘ |
| form | one-movement sonata ⓘ |
| genre |
classical music
ⓘ
late Romantic music ⓘ modernist music ⓘ |
| influencedBy |
late Romantic harmony
ⓘ
mystical philosophy ⓘ symbolism ⓘ |
| instrumentation | solo piano ⓘ |
| key | unknown or ambiguous key ⓘ |
| languageOfTitle |
English
ⓘ
French ⓘ Russian ⓘ |
| notableFeature |
continuous, uninterrupted structure
ⓘ
dense chordal textures ⓘ extreme harmonic ambiguity ⓘ lack of clear tonal center ⓘ |
| notableFor | exploration of atonality in Scriabin’s music ⓘ |
| numberOfMovements | 1 ⓘ |
| ordinalNumber | 6 ⓘ |
| precededBy | Piano Sonata No. 5, Op. 53 NERFINISHED ⓘ |
| publisher | early 20th-century music publishers in Russia and Europe ⓘ |
| requires |
advanced piano technique
ⓘ
high interpretive skill ⓘ |
| stylePeriod | late Scriabin period ⓘ |
| typicalDuration | approximately 10–15 minutes ⓘ |
| typicalPerformanceContext |
concert performance
ⓘ
piano recital ⓘ |
| workNumberInComposerOutput | one of ten Scriabin piano sonatas ⓘ |
| workTypeWithinOeuvre | late piano sonata of Scriabin ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Piano Sonata No. 6, Op. 62 Description of subject: Piano Sonata No. 6, Op. 62 is a dark, harmonically adventurous piano work by Alexander Scriabin that marks his late, highly mystical and atonal compositional style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.