album "Mechanical Animals"

E1043812

"Mechanical Animals" is a 1998 glam rock–influenced concept album by Marilyn Manson that explores themes of alienation, fame, and identity.

All labels observed (2)

How this entity was disambiguated

Statements (59)

Predicate Object
instanceOf concept album
rock album
studio album
artist Marilyn Manson
chartPositionUSBillboard200 1
countryOfOrigin United States
coverArtDesigner Joseph Cultice
coverArtFeatures androgynous alien version of Marilyn Manson
criticalReception generally positive
followedBy Holy Wood (In the Shadow of the Valley of Death)
follows Antichrist Superstar
genre alternative rock
glam rock
hard rock
industrial rock
hasPart Coma White
Disassociative
Fundamentally Loathsome
Great Big White World
I Don’t Like the Drugs (But the Drugs Like Me)
I Want to Disappear
Mechanical Animals (track)
linked to: Mechanical Animals

New Model No. 15
Rock Is Dead
The Dope Show
The Last Day on Earth
The Speed of Pain
linked to: Speed of Pain

User Friendly
hasSingle Coma White
I Don’t Like the Drugs (But the Drugs Like Me)
Rock Is Dead
The Dope Show
label Interscope Records
Nothing Records
language English
length 62:35
narrativeCharacter Alpha
Omega
notableFor androgynous visual aesthetic
exploration of fame and media culture
shift toward glam rock sound
partOf Marilyn Manson discography
linked to: Marilyn Manson
performer Marilyn Manson
producer Madonna Wayne Gacy
Marilyn Manson
Michael Beinhorn
Sean Beavan
Twiggy Ramirez
recordedIn 1997
1998
releaseDate 1998-09-15
releaseYear 1998
theme alienation
celebrity culture
drug use
fame
gender ambiguity
identity
isolation

How these facts were elicited

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Brian Hugh Warner notableWork album "Mechanical Animals"
Jeordie White notableSongwritingContribution Mechanical Animals (album) by Marilyn Manson
linked to: album "Mechanical Animals"