The Abyss (film score)
E104158
The Abyss (film score) is a science-fiction film soundtrack composed by Alan Silvestri, noted for its atmospheric orchestration and blend of suspenseful and ethereal themes.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Abyss (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T878180 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Abyss (film score) Context triple: [Alan Silvestri, notableWork, The Abyss (film score)]
-
A.
Blade Runner (film score)
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
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B.
Varèse Sarabande
Varèse Sarabande is a record label renowned for releasing film and television soundtracks and scores.
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C.
Heaven and Hell (Vangelis)
"Heaven and Hell" is a 1975 electronic and orchestral album by Greek composer Vangelis, best known for its dramatic, cosmic sound that later became associated with the TV series "Cosmos: A Personal Voyage."
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D.
Alexander (film score)
Alexander (film score) is an orchestral and electronic film soundtrack composed by Vangelis for Oliver Stone’s 2004 historical epic about Alexander the Great.
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E.
The Robe (film score)
The Robe (film score) is a landmark 1953 orchestral film soundtrack by Alfred Newman, renowned for its lush, dramatic themes and pioneering use of CinemaScope-era widescreen scoring.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Abyss (film score) Target entity description: The Abyss (film score) is a science-fiction film soundtrack composed by Alan Silvestri, noted for its atmospheric orchestration and blend of suspenseful and ethereal themes.
-
A.
Blade Runner (film score)
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
-
B.
Varèse Sarabande
Varèse Sarabande is a record label renowned for releasing film and television soundtracks and scores.
-
C.
Heaven and Hell (Vangelis)
"Heaven and Hell" is a 1975 electronic and orchestral album by Greek composer Vangelis, best known for its dramatic, cosmic sound that later became associated with the TV series "Cosmos: A Personal Voyage."
-
D.
Alexander (film score)
Alexander (film score) is an orchestral and electronic film soundtrack composed by Vangelis for Oliver Stone’s 2004 historical epic about Alexander the Great.
-
E.
The Robe (film score)
The Robe (film score) is a landmark 1953 orchestral film soundtrack by Alfred Newman, renowned for its lush, dramatic themes and pioneering use of CinemaScope-era widescreen scoring.
- F. None of above. chosen
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedWithDirector | James Cameron ⓘ |
| basedOn |
The Abyss
ⓘ
surface form:
The Abyss (1989 film)
|
| composer | Alan Silvestri ⓘ |
| composerNationality | American ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| genre |
film score
ⓘ
science fiction film music ⓘ |
| hasElement |
choral writing
ⓘ
lyrical themes ⓘ suspense motifs ⓘ synthesizer textures ⓘ |
| hasMedium | orchestra ⓘ |
| hasMood |
awe-inspiring
ⓘ
mysterious ⓘ tense ⓘ |
| hasMusicalStyle |
ethereal themes
ⓘ
suspenseful themes ⓘ |
| hasOrchestrationStyle | atmospheric orchestration ⓘ |
| intendedFor | underwater science-fiction setting ⓘ |
| language | instrumental ⓘ |
| notableFor |
atmospheric orchestral writing
ⓘ
blend of suspenseful and ethereal themes ⓘ |
| originallyComposedFor | Theatrical release of The Abyss ⓘ |
| partOfFranchise |
The Abyss
ⓘ
surface form:
The Abyss franchise
|
| supportsNarrativeThemes |
first contact
ⓘ
human vs. unknown depths ⓘ isolation ⓘ |
| usedFor | film soundtrack ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Abyss (film score) Description of subject: The Abyss (film score) is a science-fiction film soundtrack composed by Alan Silvestri, noted for its atmospheric orchestration and blend of suspenseful and ethereal themes.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.