Contact (film score)
E104153
Contact (film score) is the orchestral soundtrack composed by Alan Silvestri for the 1997 science fiction film "Contact," noted for its atmospheric and emotionally resonant themes.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Contact (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T878174 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Contact (film score) Context triple: [Alan Silvestri, notableWork, Contact (film score)]
-
A.
Varèse Sarabande
Varèse Sarabande is a record label renowned for releasing film and television soundtracks and scores.
-
B.
Blade Runner (film score)
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
-
C.
The Da Vinci Code (2006 film) score
The Da Vinci Code (2006 film) score is a moody, choral-infused orchestral soundtrack by Hans Zimmer that blends suspenseful motifs with religious and historical overtones to underscore the film’s mystery-thriller narrative.
-
D.
Oppenheimer (film score)
Oppenheimer (film score) is the original musical soundtrack composed by Ludwig Göransson for Christopher Nolan’s 2023 biographical thriller about J. Robert Oppenheimer and the creation of the atomic bomb.
-
E.
Alexander (film score)
Alexander (film score) is an orchestral and electronic film soundtrack composed by Vangelis for Oliver Stone’s 2004 historical epic about Alexander the Great.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Contact (film score) Target entity description: Contact (film score) is the orchestral soundtrack composed by Alan Silvestri for the 1997 science fiction film "Contact," noted for its atmospheric and emotionally resonant themes.
-
A.
Varèse Sarabande
Varèse Sarabande is a record label renowned for releasing film and television soundtracks and scores.
-
B.
Blade Runner (film score)
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
-
C.
The Da Vinci Code (2006 film) score
The Da Vinci Code (2006 film) score is a moody, choral-infused orchestral soundtrack by Hans Zimmer that blends suspenseful motifs with religious and historical overtones to underscore the film’s mystery-thriller narrative.
-
D.
Oppenheimer (film score)
Oppenheimer (film score) is the original musical soundtrack composed by Ludwig Göransson for Christopher Nolan’s 2023 biographical thriller about J. Robert Oppenheimer and the creation of the atomic bomb.
-
E.
Alexander (film score)
Alexander (film score) is an orchestral and electronic film soundtrack composed by Vangelis for Oliver Stone’s 2004 historical epic about Alexander the Great.
- F. None of above. chosen
Statements (24)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedWithDirector | Robert Zemeckis ⓘ |
| basedOn | Contact (1997 film) ⓘ |
| composer | Alan Silvestri ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| genre |
film score
ⓘ
orchestral ⓘ |
| hasInstrumentation | orchestra ⓘ |
| hasTheme |
awe
ⓘ
human connection ⓘ space exploration ⓘ spirituality ⓘ wonder ⓘ |
| hasType | orchestral soundtrack ⓘ |
| language | instrumental ⓘ |
| musicStyle | symphonic ⓘ |
| notableFor |
atmospheric themes
ⓘ
emotionally resonant themes ⓘ |
| originallyComposedFor | Contact (1997 film) ⓘ |
| partOf | Contact (franchise) ⓘ |
| partOfWork |
Varèse Sarabande
ⓘ
surface form:
Contact (motion picture soundtrack)
|
| publicationYear | 1997 ⓘ |
| usedInGenre | science fiction film ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Contact (film score) Description of subject: Contact (film score) is the orchestral soundtrack composed by Alan Silvestri for the 1997 science fiction film "Contact," noted for its atmospheric and emotionally resonant themes.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.