Contact (musical)
E1011391
Contact is a 1999 dance-theatre musical by Susan Stroman and John Weidman that blends minimal dialogue with choreography-driven storytelling across three thematically linked one-act narratives.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Contact (musical) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T12929262 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Contact (musical) Context triple: [Charlotte d'Amboise, notableWork, Contact (musical)]
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A.
The Touch
The Touch is a psychological science fiction novel by Daniel Keyes that explores the emotional and ethical consequences of a man gaining dangerous telekinetic powers.
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B.
“Touch”
“Touch” is a track by the Japanese rock band L'Arc-en-Ciel from their album *Seal IV*.
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C.
The Concert
"The Concert" is a Baroque genre painting by Dutch artist Dirck van Baburen depicting musicians gathered around a table performing music.
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D.
The Concert
The Concert is a 17th-century genre painting by Dutch Golden Age artist Gerard ter Borch, depicting an intimate musical gathering in a refined domestic interior.
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E.
The Concert
The Concert is a painting by Dutch Golden Age artist Abraham Bloemaert, exemplifying his refined handling of light, color, and genre scenes.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Contact (musical) Target entity description: Contact is a 1999 dance-theatre musical by Susan Stroman and John Weidman that blends minimal dialogue with choreography-driven storytelling across three thematically linked one-act narratives.
-
A.
The Touch
The Touch is a psychological science fiction novel by Daniel Keyes that explores the emotional and ethical consequences of a man gaining dangerous telekinetic powers.
-
B.
“Touch”
“Touch” is a track by the Japanese rock band L'Arc-en-Ciel from their album *Seal IV*.
-
C.
The Concert
The Concert is an unfinished and now missing painting by Dutch Golden Age master Johannes Vermeer, depicting an intimate scene of three figures making music in a domestic interior.
-
D.
The Concert
"The Concert" is a Baroque genre painting by Dutch artist Dirck van Baburen depicting musicians gathered around a table performing music.
-
E.
The Concert
The Concert is a painting by Dutch Golden Age artist Abraham Bloemaert, exemplifying his refined handling of light, color, and genre scenes.
- F. None of above. chosen
Statements (43)
| Predicate | Object |
|---|---|
| instanceOf |
dance-theatre work
ⓘ
stage musical ⓘ |
| act |
Contact
NERFINISHED
ⓘ
Did You Move? NERFINISHED ⓘ Swinging ⓘ |
| awardReceived |
Drama Desk Award for Outstanding Musical
NERFINISHED
ⓘ
Tony Award for Best Choreography NERFINISHED ⓘ Tony Award for Best Direction of a Musical NERFINISHED ⓘ Tony Award for Best Musical NERFINISHED ⓘ |
| bookWriter | John Weidman NERFINISHED ⓘ |
| broadwayTheatre | Vivian Beaumont Theater NERFINISHED ⓘ |
| choreographer | Susan Stroman NERFINISHED ⓘ |
| controversy | eligibility as a musical for Tony Awards due to lack of original score ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator |
John Weidman
NERFINISHED
ⓘ
Susan Stroman NERFINISHED ⓘ |
| criticalReception | widely acclaimed ⓘ |
| director | Susan Stroman NERFINISHED ⓘ |
| features | non-singing principal roles ⓘ |
| firstPerformanceYear | 1999 ⓘ |
| genre |
dance-theatre
ⓘ
musical theatre ⓘ |
| language | English ⓘ |
| musicSource | pre-existing recordings ⓘ |
| narrativeStyle | choreography-driven storytelling ⓘ |
| notableFor |
blending dance and narrative theatre
ⓘ
use of pre-recorded popular music instead of original score ⓘ |
| openingDateOnBroadway | 2000 ⓘ |
| originalBroadwayCastSize | relatively small ensemble GENERATED ⓘ |
| premiereCity | New York City ⓘ |
| premiereLocation | Off-Broadway NERFINISHED ⓘ |
| premiereTheatre | Mitzi E. Newhouse Theater NERFINISHED ⓘ |
| producer | Lincoln Center Theater NERFINISHED ⓘ |
| settingOfAct |
Contact – a New York City bar
NERFINISHED
ⓘ
Did You Move? – a contemporary restaurant ⓘ Swinging – 18th-century France ⓘ |
| structure |
thematically linked acts
ⓘ
three one-act narratives ⓘ |
| subjectMatter |
human connection
ⓘ
isolation ⓘ romantic relationships ⓘ |
| transferredTo | Broadway NERFINISHED ⓘ |
| uses | minimal dialogue ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Contact (musical) Description of subject: Contact is a 1999 dance-theatre musical by Susan Stroman and John Weidman that blends minimal dialogue with choreography-driven storytelling across three thematically linked one-act narratives.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.