What We See When We Read
E1010878
What We See When We Read is a nonfiction book by designer and art director Peter Mendelsund that explores how readers mentally visualize characters, settings, and events during the act of reading.
All labels observed (1)
| Label | Occurrences |
|---|---|
| What We See When We Read canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T12944412 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: What We See When We Read Context triple: [Peter Mendelsund, wrote, What We See When We Read]
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A.
Allegories of Reading
Allegories of Reading is a seminal work of literary theory by Paul de Man that explores the complexities of interpretation and rhetoric in texts by authors such as Rousseau, Nietzsche, Rilke, and Proust.
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B.
The Reading
The Reading is a Neo-Impressionist painting by Belgian artist Théo van Rysselberghe, depicting figures absorbed in quiet literary contemplation through his characteristic pointillist technique.
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C.
How to Read and Why
How to Read and Why is a literary criticism book by Harold Bloom that urges readers to engage deeply and independently with classic literature to enrich their inner lives.
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D.
The Writing on the Image
The Writing on the Image is a poem by William Morris that forms part of his larger narrative cycle The Earthly Paradise.
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E.
The Reading Lesson
The Reading Lesson is a 17th-century genre painting by Dutch artist Gerard ter Borch, depicting an intimate domestic scene of instruction and quiet concentration.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: What We See When We Read Target entity description: What We See When We Read is a nonfiction book by designer and art director Peter Mendelsund that explores how readers mentally visualize characters, settings, and events during the act of reading.
-
A.
Allegories of Reading
Allegories of Reading is a seminal work of literary theory by Paul de Man that explores the complexities of interpretation and rhetoric in texts by authors such as Rousseau, Nietzsche, Rilke, and Proust.
-
B.
The Reading
The Reading is a Neo-Impressionist painting by Belgian artist Théo van Rysselberghe, depicting figures absorbed in quiet literary contemplation through his characteristic pointillist technique.
-
C.
How to Read and Why
How to Read and Why is a literary criticism book by Harold Bloom that urges readers to engage deeply and independently with classic literature to enrich their inner lives.
-
D.
The Writing on the Image
The Writing on the Image is a poem by William Morris that forms part of his larger narrative cycle The Earthly Paradise.
-
E.
The Reading Lesson
The Reading Lesson is a 17th-century genre painting by Dutch artist Gerard ter Borch, depicting an intimate domestic scene of instruction and quiet concentration.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
literary criticism book
ⓘ
nonfiction book ⓘ |
| author | Peter Mendelsund NERFINISHED ⓘ |
| authorOccupation |
art director
ⓘ
designer ⓘ |
| authorOfCoverDesign | Peter Mendelsund NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| exploresConcept |
how readers imagine characters
ⓘ
how readers imagine events ⓘ how readers imagine settings ⓘ indeterminacy in literary description ⓘ interaction between text and imagination ⓘ minimal description in literature ⓘ reader participation in constructing images ⓘ visual cognition in reading ⓘ |
| genre |
aesthetics of reading
ⓘ
literary criticism ⓘ nonfiction ⓘ |
| hasFormat |
ebook
ⓘ
print ⓘ |
| hasIllustrations | true ⓘ |
| hasNotableAspect |
focus on phenomenology of reading
ⓘ
highly visual layout ⓘ integration of design and criticism ⓘ use of diagrams and graphics ⓘ |
| influencedBy |
cognitive psychology of reading
ⓘ
literary theory ⓘ visual design principles ⓘ |
| language | English ⓘ |
| mainSubject |
cognitive processes in reading
ⓘ
fictional settings ⓘ literary characters ⓘ mental imagery ⓘ narrative perception ⓘ reader experience ⓘ reading ⓘ visualization in reading ⓘ |
| publicationDate | 2014 ⓘ |
| publisher |
Vintage
NERFINISHED
ⓘ
Vintage Books NERFINISHED ⓘ |
| relatedWork |
Cover
ⓘ
Reading Images NERFINISHED ⓘ |
| targetAudience |
designers
ⓘ
readers ⓘ students of literature ⓘ writers ⓘ |
| usesMedium |
illustration
ⓘ
text ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: What We See When We Read Description of subject: What We See When We Read is a nonfiction book by designer and art director Peter Mendelsund that explores how readers mentally visualize characters, settings, and events during the act of reading.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.