Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
radio plays
stage readings |
| gptkbp:adapted_into |
gptkb:film
|
| gptkbp:awards |
Best New Play
|
| gptkbp:character_development |
Critic's perspective
Duke's journey |
| gptkbp:conflict |
artist vs. critic
|
| gptkbp:explores |
the nature of criticism
|
| gptkbp:features |
satirical elements
|
| gptkbp:genre |
gptkb:musical
|
| gptkbp:has_influence_on |
modern comedies
|
| gptkbp:has_theme |
cultural commentary
the relationship between art and society the future of theater the power of words the importance of feedback the commercialization of art identity in art the role of the critic in society the struggle for artistic integrity the impact of technology on art the role of tradition in art the relationship between artist and audience the significance of performance. impact of reviews perception of art role of the audience the ethics of criticism the evolution of criticism the influence of media on art the subjective nature of art theater's evolution value of criticism |
| https://www.w3.org/2000/01/rdf-schema#label |
Duke's Critic
|
| gptkbp:influenced_by |
gptkb:American_theater
|
| gptkbp:inspired_by |
real-life critics
|
| gptkbp:language |
English
|
| gptkbp:notable_character |
gptkb:Duke
gptkb:literary_work |
| gptkbp:notable_quote |
" Art is subjective, but criticism is objective."
" The critic is the artist's worst enemy." |
| gptkbp:performed_by |
regional theaters
|
| gptkbp:premiered_on |
gptkb:1980
|
| gptkbp:production_years |
multiple revivals
|
| gptkbp:published_by |
gptkb:Theater_Communications_Group
|
| gptkbp:setting |
gptkb:theatre
|
| gptkbp:style |
absurdist comedy
|
| gptkbp:theme |
critique of theater
|
| gptkbp:themes |
art vs. commerce
authenticity in art |
| gptkbp:written_by |
gptkb:James_Mc_Lure
|
| gptkbp:bfsParent |
gptkb:The_Big_Tease
|
| gptkbp:bfsLayer |
5
|