Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:associatedWith |
gptkb:Burgundian_School
|
| gptkbp:characterizedBy |
polyphony
|
| gptkbp:createdBy |
gptkb:Guillaume_Dufay
|
| gptkbp:culturalSignificance |
development of the Mass form
|
| gptkbp:genre |
sacred music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Dufay's Masses
|
| gptkbp:influenced |
gptkb:Josquin_des_Prez
later polyphonic music |
| gptkbp:influencedBy |
gptkb:Gregorian_chant
|
| gptkbp:notableFeature |
imitation
historical context sacred texts cultural significance instrumentation musical notation performance practice thematic development harmonic progression formal structure stylistic elements performance venues melodic ornamentation rich harmonies melodic lines melodic development vocal ranges historical performance practice contrapuntal techniques textural variety rhythmic variety musical forms text setting use of modes use of cantus firmus compositional techniques liturgical function musical aesthetics expressive use of dissonance use of secular melodies vocal textures cultural_exchange |
| gptkbp:notableWorks |
gptkb:Missa_Ave_Regina_caelorum
gptkb:Missa_L'homme_armé Missa Se la face ay pale Missa Ecce ancilla Domini |
| gptkbp:performedBy |
churches
choirs |
| gptkbp:timePeriod |
Renaissance
|