|
gptkbp:instance_of
|
gptkb:television_series
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:legislation
gptkb:star
|
|
gptkbp:adaptation
|
gptkb:1974
gptkb:film_series
inspired sequels
box office hit
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:addresses
|
societal issues
|
|
gptkbp:aired_on
|
April 30, 1998
|
|
gptkbp:author
|
gptkb:Brian_Garfield
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
novel by Brian Garfield
|
|
gptkbp:box_office
|
$22 million
|
|
gptkbp:character
|
gptkb:Paul_Kersey
|
|
gptkbp:character_arc
|
gptkb:moral_ambiguity
descent into violence
Kersey's descent into violence
|
|
gptkbp:character_development
|
Paul Kersey's transformation
|
|
gptkbp:character_relationships
|
internal struggle
obsession with revenge
strained family ties
|
|
gptkbp:cinematography
|
gptkb:Arthur_J._Ornitz
|
|
gptkbp:community_impact
|
1970s America
|
|
gptkbp:conflict
|
crime and justice
crime and punishment
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
controversial
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:significant
vigilante films
influenced vigilante films
|
|
gptkbp:cultural_significance
|
reflection of societal fears
|
|
gptkbp:depicts
|
moral dilemmas
urban violence
|
|
gptkbp:directed_by
|
gptkb:David_Livingston
gptkb:Michael_Winner
|
|
gptkbp:director
|
gptkb:Michael_Winner
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:edited_by
|
gptkb:Dede_Allen
|
|
gptkbp:explores
|
justice system failures
|
|
gptkbp:features
|
graphic violence
|
|
gptkbp:features_character
|
gptkb:dinosaur
gptkb:Janeway
gptkb:B'_Elanna_Torres
gptkb:Tom_Paris
gptkb:star
|
|
gptkbp:film_series
|
gptkb:Death_Wish_series
|
|
gptkbp:filmography
|
gptkb:Charles_Bronson
gptkb:Dirty_Harry
gptkb:Death_Wish_(1974)
Death Wish V: The Face of Death (1994)
Death Wish 3 (1985)
Death Wish 4: The Crackdown (1987)
Death Wish II (1982)
|
|
gptkbp:followed_by
|
gptkb:Death_Wish_3
gptkb:Death_Wish_4:_The_Crackdown
gptkb:Death_Wish_II
gptkb:Death_Wish_V:_The_Face_of_Death
|
|
gptkbp:follows
|
gptkb:The_Q_and_the_Grey
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Detective
gptkb:film
|
|
gptkbp:has_backstory
|
veteran of the Korean War
|
|
gptkbp:has_cameo
|
gptkb:Q's_Continuum
gptkb:Q's_Trial
Q's Humor
Q's Influence on B' Elanna
Q's Influence on Chakotay
Q's Influence on Janeway
Q's Influence on Science Fiction
Q's Influence on Starfleet
Q's Influence on Tom
Q's Influence on the Delta Quadrant
Q's Influence on the Federation
Q's Influence on the Series
Q's Influence on the Voyager Crew
Q's Legacy
Q's Philosophical Debates
Q's Powers
Q's Redemption Arc
Q's Relationship with B' Elanna
Q's Relationship with Chakotay
Q's Relationship with Janeway
Q's Relationship with Tom
Q's Relationship with the Voyager Crew
Q's Tragic Elements
|
|
gptkbp:has_genre
|
gptkb:amusement_park
gptkb:Author
gptkb:High_School
|
|
gptkbp:has_sequel
|
gptkb:Death_Wish_IV:_The_Crackdown
gptkb:Death_Wish_II
gptkb:Death_Wish_V:_The_Face_of_Death
gptkb:Death_Wish_III
|
|
gptkbp:historical_impact
|
urban crime trends
|
|
gptkbp:home_media_release
|
VHS, DVD, Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Death Wish
|
|
gptkbp:influence
|
utilitarianism
|
|
gptkbp:influenced
|
gptkb:television_series
gptkb:video_game
vigilante genre
news reports on crime
|
|
gptkbp:influenced_artists
|
gptkb:Edgar_Allan_Poe
gptkb:The_Count_of_Monte_Cristo
gptkb:film
|
|
gptkbp:influenced_by
|
gptkb:legislation
gptkb:Death_Wish_(2018)
gptkb:Dirty_Harry
gptkb:state_highway
vigilante justice
personal beliefs of the author
real-life crime rates
|
|
gptkbp:inspired_by
|
real-life crime rates
personal experiences of crime
|
|
gptkbp:is_critical_for
|
morality of vigilantism
|
|
gptkbp:is_criticized_for
|
American justice system
|
|
gptkbp:is_motivated_by
|
loss of family
|
|
gptkbp:isbn
|
978-0-345-33929-0
978-0-312-00000-0
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
vigilante genre
|
|
gptkbp:main_character
|
gptkb:architect
gptkb:Paul_Kersey
|
|
gptkbp:mood
|
trauma response
|
|
gptkbp:motif
|
gptkb:revenge
urban decay
|
|
gptkbp:music_by
|
gptkb:Herb_Alpert
|
|
gptkbp:narrative_style
|
first-person
third-person limited
|
|
gptkbp:next_edition
|
1972 edition
|
|
gptkbp:notable_guest_stars
|
gptkb:John_de_Lancie
gptkb:Kirsten_Dunst
|
|
gptkbp:notable_quote
|
' I’m a firm believer in the law of averages.'
|
|
gptkbp:number_of_episodes
|
gptkb:18
|
|
gptkbp:official_language
|
English
|
|
gptkbp:page_count
|
192
|
|
gptkbp:part_of
|
gptkb:Star_Trek:_Voyager
|
|
gptkbp:plot
|
Explores the nature of existence.
A New York City architect becomes a one-man vigilante squad after his wife is murdered.
Janeway must decide whether to help Q.
Q challenges the crew's beliefs.
Q seeks to end his life.
The crew debates the morality of his request.
|
|
gptkbp:portrayed_by
|
gptkb:moral_ambiguity
|
|
gptkbp:precedes
|
gptkb:The_Q_and_the_Grey
|
|
gptkbp:produced_by
|
gptkb:Paramount_Television
|
|
gptkbp:production_company
|
gptkb:Death_Wish_series
|
|
gptkbp:published_by
|
gptkb:Holt,_Rinehart_and_Winston
gptkb:1972
|
|
gptkbp:published_year
|
gptkb:1972
|
|
gptkbp:publisher
|
gptkb:Random_House
|
|
gptkbp:rating
|
8.0
|
|
gptkbp:reader_demographic
|
polarizing opinions
|
|
gptkbp:release_date
|
July 24, 1974
|
|
gptkbp:release_year
|
gptkb:1974
|
|
gptkbp:released_in
|
gptkb:1974
|
|
gptkbp:remake
|
gptkb:Death_Wish_(2018)
|
|
gptkbp:runtime
|
93 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Wendell_Mayes
|
|
gptkbp:season
|
gptkb:Season_2
|
|
gptkbp:sequel
|
gptkb:Death_Wish_3
gptkb:Death_Wish_4:_The_Crackdown
gptkb:Death_Wish_II
gptkb:Death_Wish_V:_The_Face_of_Death
Death Sentence
|
|
gptkbp:set_in
|
gptkb:Delta_Quadrant
|
|
gptkbp:setting
|
gptkb:Borough
1970s
|
|
gptkbp:social_media
|
gptkb:legal_case
|
|
gptkbp:starring
|
gptkb:Charles_Bronson
|
|
gptkbp:symbolism
|
gun ownership
|
|
gptkbp:symbolizes
|
American gun culture
|
|
gptkbp:theme
|
Existentialism
Suicide
Free Will
vigilantism
|
|
gptkbp:themes
|
gptkb:revenge
|
|
gptkbp:written_by
|
gptkb:Bryan_Fuller
|