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gptkbp:instance_of
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gptkb:cartridge
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gptkbp:adaptations
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gptkb:film
stage productions
television adaptations
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gptkbp:audience
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critical acclaim
emotional impact
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gptkbp:awards
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gptkb:Pulitzer_Prize_for_Drama
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gptkbp:character_development
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Biff's realization
Happy's ambition
Willy's delusions
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gptkbp:character_motivation
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Biff's search for identity
Happy's quest for approval
Willy's desire for success
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gptkbp:character_relationships
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Willy and Biff Loman
Willy and Happy Loman
Willy and Linda Loman
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gptkbp:conflict
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Willy's struggle with reality
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gptkbp:critical_reception
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widely acclaimed
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gptkbp:cultural_impact
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influenced many playwrights
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gptkbp:first_performance
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gptkb:1949
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gptkbp:genre
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gptkb:drama
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gptkbp:historical_context
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gptkb:Great_Depression
post-World War II America
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https://www.w3.org/2000/01/rdf-schema#label
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De Dood van een Handelsreiziger
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gptkbp:influenced
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gptkb:Death_of_a_Salesman_(film)
The Last Days of Judas Iscariot (play)
The Price (play)
|
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gptkbp:influences
|
post-war American theatre
|
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gptkbp:inspiration
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Miller's father
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gptkbp:language
|
gptkb:Engels
|
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gptkbp:main_character
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gptkb:Willy_Loman
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gptkbp:narrative_style
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gptkb:tragedy
expressionism
realism
|
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gptkbp:notable_quote
|
I am not a dime a dozen!
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gptkbp:performance
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performed worldwide
|
|
gptkbp:plot
|
flashbacks
non-linear narrative
climactic ending
|
|
gptkbp:published_in
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gptkb:1949
|
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gptkbp:setting
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gptkb:New_York_City
|
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gptkbp:symbolism
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the refrigerator
the car
the seeds
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gptkbp:thematic_element
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capitalism
family dynamics
identity crisis
illusion vs. reality
failure and success
|
|
gptkbp:themes
|
gptkb:American_Dream
|
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gptkbp:written_by
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gptkb:Arthur_Miller
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gptkbp:bfsParent
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gptkb:Theatergroep_Hollandia
|
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gptkbp:bfsLayer
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5
|