Statements (64)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:fictional_character
|
| gptkbp:adaptation |
gptkb:film_adaptations
television adaptations stage adaptations |
| gptkbp:appears_in |
gptkb:Carmilla
|
| gptkbp:associated_with |
romanticism
the supernatural gothic fiction vampire lore seduction fear of the unknown supernatural themes horror literature the vampire mythos the uncanny the undead the victim the tragic hero bloodlust the eternal struggle the predator the eternal night the tragic love story the vampire hunter the femme fatale archetype the prey the seductress the cursed existence the dark romance the gothic aesthetic |
| gptkbp:character_traits |
dangerous
mysterious seductive |
| gptkbp:cultural_impact |
influence on horror genre
influence on feminist literature influence on LGBTQ+ representation |
| gptkbp:first_appearance |
1872
|
| gptkbp:gender |
gptkb:Female
|
| https://www.w3.org/2000/01/rdf-schema#label |
Countess Mircalla Karnstein
|
| gptkbp:influenced |
gptkb:Dracula
|
| gptkbp:influenced_by |
gptkb:folklore
Victorian society literary traditions |
| gptkbp:inspiration |
modern vampire fiction
|
| gptkbp:nationality |
gptkb:Austrian
|
| gptkbp:notable_for |
being one of the first female vampires in literature
|
| gptkbp:occupation |
gptkb:noblewoman
|
| gptkbp:portrayed_by |
various actresses
|
| gptkbp:portrayed_in |
gptkb:various_adaptations
|
| gptkbp:related_to |
the Karnstein family
|
| gptkbp:relationship_with |
gptkb:Laura
|
| gptkbp:setting |
gptkb:Styria,_Austria
|
| gptkbp:species |
gptkb:vampires
|
| gptkbp:symbolizes |
female empowerment
the duality of human nature sexual liberation the outsider the repressed desires |
| gptkbp:theme |
gptkb:death
immortality sexuality lesbianism |
| gptkbp:bfsParent |
gptkb:The_Vampire_Lovers
|
| gptkbp:bfsLayer |
6
|