|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:characteristics
|
use of counterpoint
thematic development
dynamic contrasts
expressive melodies
dialogue between soloist and orchestra
use of ritornello form
rhythmic vitality
harmonic richness
lyrical second movement
frequent modulations
virtuosic harpsichord passages
energetic final movement
interplay of solo and ensemble sections
ornamentation typical of Baroque music
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:cultural_significance
|
important work in harpsichord repertoire
|
|
gptkbp:dedication
|
none known
|
|
gptkbp:duration
|
approximately 15 minutes
|
|
gptkbp:first_performance
|
1735
|
|
gptkbp:form
|
three-movement structure
|
|
gptkbp:genre
|
gptkb:Piano_Sonata
|
|
gptkbp:historical_context
|
written during Bach's time in Köthen
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Concerto in E major for Harpsichord
|
|
gptkbp:influenced
|
later keyboard concertos
|
|
gptkbp:influences
|
Italian concerto style
|
|
gptkbp:inspired
|
modern composers
|
|
gptkbp:instrument
|
harpsichord
|
|
gptkbp:key
|
E major
|
|
gptkbp:movement
|
gptkb:Largo
Allegro assai
three
|
|
gptkbp:notable_performers
|
gptkb:Murray_Perahia
|
|
gptkbp:notable_recordings
|
gptkb:Mitsuko_Uchida
gptkb:Gustav_Leonhardt
gptkb:András_Schiff
gptkb:Angela_Hewitt
gptkb:Richard_Egarr
numerous
|
|
gptkbp:orchestration
|
strings and continuo
|
|
gptkbp:part_of
|
gptkb:Bach's_harpsichord_concertos
|
|
gptkbp:performance
|
often performed on modern pianos
|
|
gptkbp:performed_by
|
concert halls worldwide
|
|
gptkbp:published_by
|
gptkb:Bach_Werke_Verzeichnis
after 1735
|
|
gptkbp:related_works
|
gptkb:Brandenburg_Concerto_No._5
|
|
gptkbp:speed
|
gptkb:Allegro
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:transcribed_for
|
arranged for various instruments
|
|
gptkbp:bfsParent
|
gptkb:C._P._E._Bach
|
|
gptkbp:bfsLayer
|
5
|