gptkbp:instance_of
|
gptkb:musical_composition
|
gptkbp:adaptation
|
arranged for different ensembles
|
gptkbp:artist
|
gptkb:Joshua_Bell
dynamic contrasts
|
gptkbp:artistic_legacy
|
remains a staple in violin repertoire
|
gptkbp:available_formats
|
sheet music
|
gptkbp:characteristics
|
lyrical melodies
|
gptkbp:collaborations
|
with various orchestras
|
gptkbp:composer
|
gptkb:Berlin_Philharmonic
gptkb:Carl_Philipp_Emanuel_Bach
|
gptkbp:critical_reception
|
well-received by audiences and critics alike
|
gptkbp:cultural_impact
|
performed in major concert halls
|
gptkbp:cultural_significance
|
important work in the violin repertoire
|
gptkbp:dedication
|
gptkb:unknown
|
gptkbp:duration
|
approximately 20 minutes
|
gptkbp:first_performance
|
unknown date
|
gptkbp:focuses_on
|
studied in music conservatories
|
gptkbp:genre
|
gptkb:Piano_Sonata
|
gptkbp:historical_context
|
written during the transition from Baroque to Classical music
|
gptkbp:historical_significance
|
reflects the transition in musical styles
|
https://www.w3.org/2000/01/rdf-schema#label
|
Concerto for Violin in D major, H. 425
|
gptkbp:influenced_artists
|
gptkb:Wolfgang_Amadeus_Mozart
|
gptkbp:influenced_by
|
gptkb:Vivaldi's_concertos
German musical traditions
|
gptkbp:influences
|
Baroque music
|
gptkbp:inspiration
|
Italian concertos
|
gptkbp:instrumentation
|
violin and orchestra
|
gptkbp:involved_forces
|
solo violin, strings, and continuo
|
gptkbp:is_influenced_by
|
bowing and phrasing techniques
|
gptkbp:key
|
D major
|
gptkbp:movement
|
three
|
gptkbp:music_style
|
interpretative freedom
three-movement structure
use of ornamentation
written in standard notation
analyzed for its harmonic structure
|
gptkbp:notable_artists
|
gptkb:Anne-Sophie_Mutter
|
gptkbp:notable_conductors
|
gptkb:Bernstein
|
gptkbp:notable_event
|
performed at music festivals
|
gptkbp:notable_performance
|
performed by orchestras worldwide
|
gptkbp:notable_recordings
|
gptkb:Hilary_Hahn
|
gptkbp:opus_number
|
H. 425
|
gptkbp:performance
|
historically informed performance
revived in the 20th century
|
gptkbp:performed_by
|
concerts and recitals
chamber orchestras
soloist with orchestra
|
gptkbp:published_by
|
1756
|
gptkbp:record_label
|
gptkb:Deutsche_Grammophon
|
gptkbp:related_works
|
gptkb:Symphony_in_D_major,_H._663
|
gptkbp:signature_move
|
expressive and emotional
|
gptkbp:style
|
Empfindsamer Stil
|
gptkbp:theme
|
contrast between solo and orchestra
|
gptkbp:year_composed
|
gptkb:2005
|
gptkbp:bfsParent
|
gptkb:Carl_Philipp_Emanuel_Bach
|
gptkbp:bfsLayer
|
4
|