Composition with Red, Yellow, and Blue (1944)
GPTKB entity
Statements (66)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:painting
|
gptkbp:bfsLayer |
4
|
gptkbp:bfsParent |
gptkb:Piet_Mondrian
|
gptkbp:art_movement |
gptkb:church
|
gptkbp:art_style |
color theory
abstract forms color harmony color contrast color perception minimalism visual harmony abstract expressionism visual clarity color symbolism geometric forms dynamic equilibrium spatial organization visual balance color field painting non-representational art color saturation visual impact visual rhythm color juxtaposition visual narrative color blocking color dynamics color relationships color theory application color exploration visual innovation visual experimentation visual contrast visual simplicity abstract composition color abstraction linear composition color exploration in abstraction visual dynamics visual expression |
gptkbp:collection |
Mo MA Collection
|
gptkbp:color |
gptkb:blue
gptkb:red gptkb:yellow |
gptkbp:created_by |
gptkb:Piet_Mondrian
|
gptkbp:cultural_impact |
influenced graphic design
influenced architecture influenced fashion design |
gptkbp:dimensions |
127 x 127 cm
|
gptkbp:exhibited_at |
gptkb:Stedelijk_Museum
|
gptkbp:exhibition |
1945
|
https://www.w3.org/2000/01/rdf-schema#label |
Composition with Red, Yellow, and Blue (1944)
|
gptkbp:influenced |
Abstract art
|
gptkbp:influenced_artists |
gptkb:Kazimir_Malevich
gptkb:Theo_van_Doesburg |
gptkbp:influenced_by |
gptkb:sports_team
|
gptkbp:inspired_by |
theosophy
|
gptkbp:location |
gptkb:Museum_of_Modern_Art
|
gptkbp:medium |
gptkb:oil_on_canvas
|
gptkbp:notable_feature |
asymmetrical balance
use of primary colors grid structure |
gptkbp:significance |
pioneering work in abstraction
|
gptkbp:style |
gptkb:De_Stijl
|
gptkbp:technique |
geometric abstraction
|
gptkbp:year_created |
gptkb:1944
|