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gptkbp:instance_of
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gptkb:artwork
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Mark_Rothko
gptkb:Piet_Mondrian
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gptkbp:associated_with
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gptkb:political_organization
gptkb:the_New_York_School
emotional expression
abstract expressionism
spirituality in art
large-scale canvases
modernist aesthetics
the avant-garde
the exploration of perception
the exploration of emotion
the 1960s art scene
the 1950s art scene
the rejection of representational art
the use of color as subject
the use of large canvases
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gptkbp:developed_by
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gptkb:United_States
1950s
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gptkbp:exemplified_by
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gptkb:Rothko_Chapel
Newman’s zip paintings
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gptkbp:exhibited_at
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major art galleries
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gptkbp:exhibition
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gptkb:American_Painting_Today_(1955)
gptkb:The_Art_of_the_American_West_(1970)
gptkb:The_Color_Field_(1980)
gptkb:The_New_American_Painting
gptkb:The_1960_Venice_Biennale
The American Painting Today
The New American Painting (1958-1959)
The Responsive Eye (1965)
The Museum of Modern Art exhibitions
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gptkbp:historical_period
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1950s to 1960s
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https://www.w3.org/2000/01/rdf-schema#label
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Color Field Movement
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gptkbp:impact
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gptkb:soundtrack
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gptkbp:influenced
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gptkb:art_installation
gptkb:post-painterly_abstraction
gptkb:artwork
color field painting
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gptkbp:influenced_by
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gptkb:European_modernism
gptkb:European_Modernism
surrealism
American regionalism
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gptkbp:is_characterized_by
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large areas of color
minimalist forms
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gptkbp:is_criticized_for
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seen as overly simplistic
perceived as lacking depth
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gptkbp:legacy
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influenced later artists
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gptkbp:notable_artists
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gptkb:Barnett_Newman
gptkb:Helen_Frankenthaler
gptkb:Mark_Rothko
gptkb:Morris_Louis
gptkb:Kenneth_Noland
gptkb:Clyfford_Still
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gptkbp:notable_work
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No. 61 (Rust and Blue) by Rothko
Vir Heroicus Sublimis by Newman
Woman I by Still
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gptkbp:origin
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gptkb:United_States
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gptkbp:related_to
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color theory
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gptkbp:technique
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Staining
Soaking
Pouring
pouring paint
staining canvas
layering colors
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