gptkbp:instance_of
|
gptkb:film
gptkb:novel
|
gptkbp:adaptation
|
gptkb:film
gptkb:graphic_novel
gptkb:radio_station
gptkb:stage_play
Children of Men (film)
more focus on social issues
|
gptkbp:art_style
|
long takes
|
gptkbp:author
|
gptkb:P._D._James
|
gptkbp:awards
|
gptkb:Academy_Award_nomination
nominated for the British Science Fiction Association Award
|
gptkbp:based_on
|
gptkb:novel
gptkb:P._D._James
|
gptkbp:box_office
|
70 million USD
$70 million
|
gptkbp:budget
|
$76 million
76 million USD
|
gptkbp:character
|
gptkb:Ricky
gptkb:Miriam
gptkb:The_Child
gptkb:Luke
gptkb:Thelma
gptkb:Theo_Faron
gptkb:Julian_Taylor
The Warden
Jasper Palmer
Julianne Moore's character
Xan Lyppiatt
the Omega
Kee
Patricia Clarkson's character
|
gptkbp:character_development
|
Theo's transformation
|
gptkbp:cinematography_by
|
gptkb:Emmanuel_Lubezki
|
gptkbp:city
|
gptkb:London
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
gptkbp:critical_analysis
|
explored in literary criticism
|
gptkbp:critical_reception
|
positive
positive reviews
Certified Fresh on Rotten Tomatoes
|
gptkbp:cultural_impact
|
influential film
inspired discussions on human rights
discussed in academic studies
inspired discussions on immigration
inspired discussions on environmental issues
inspired discussions on immigration policy
inspired discussions on dystopian futures
inspired discussions on fertility issues
|
gptkbp:cultural_references
|
inspired discussions on ethics
referenced in other media
influenced other dystopian works
|
gptkbp:directed_by
|
gptkb:Alfonso_Cuarón
|
gptkbp:director
|
gptkb:Alfonso_Cuarón
|
gptkbp:edited_by
|
gptkb:Alfonso_Cuarón
gptkb:Alex_Rodríguez
|
gptkbp:editing
|
gptkb:Alex_Rodríguez
|
gptkbp:film
|
English
|
gptkbp:film_awards
|
gptkb:Academy_Award_nomination
|
gptkbp:film_editing
|
gptkb:Alfonso_Cuarón
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Venice_Film_Festival
|
gptkbp:film_length
|
109 minutes
|
gptkbp:film_technique
|
long takes
handheld camera
|
gptkbp:filming_location
|
gptkb:England
gptkb:London
gptkb:Mexico
gptkb:United_Kingdom
|
gptkbp:genre
|
gptkb:drama
gptkb:dystopian_fiction
gptkb:science_fiction
gptkb:thriller
gptkb:John_Tavener
|
gptkbp:home_media_release
|
gptkb:Blu-ray
gptkb:DVD
|
https://www.w3.org/2000/01/rdf-schema#label
|
Children of Men
|
gptkbp:influenced_by
|
gptkb:1984
gptkb:Blade_Runner
gptkb:Brave_New_World
gptkb:Fahrenheit_451
gptkb:The_Handmaid's_Tale
gptkb:The_Road
gptkb:dystopian_fiction
gptkb:A_Clockwork_Orange
|
gptkbp:influences
|
gptkb:1984
gptkb:Blade_Runner
gptkb:Brave_New_World
gptkb:The_Handmaid's_Tale
gptkb:The_Road
|
gptkbp:inspiration
|
gptkb:P._D._James'_novel
environmental concerns
societal collapse
real-world issues of infertility
|
gptkbp:language
|
English
|
gptkbp:main_theme
|
infertility
|
gptkbp:motif
|
violence
apocalyptic imagery
pregnancy
|
gptkbp:music_by
|
gptkb:Philip_Glass
gptkb:John_Tavener
|
gptkbp:narrative
|
limited omniscient
|
gptkbp:narrative_style
|
non-linear
third-person
|
gptkbp:nominated_for
|
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Original_Score
gptkb:BAFTA_Award_for_Best_Cinematography
gptkb:BAFTA_Award_for_Best_Film
gptkb:BAFTA_Award_for_Best_Special_Visual_Effects
gptkb:BAFTA_Award_for_Best_Sound
gptkb:BAFTA_Award_for_Best_Production_Design
gptkb:BAFTA_Award_for_Best_Editing
|
gptkbp:notable_scene
|
final confrontation
birth scene
car attack scene
refugee camp scene
the journey to safety
|
gptkbp:novel_by
|
gptkb:P._D._James
|
gptkbp:produced_by
|
gptkb:Universal_Pictures
|
gptkbp:production_company
|
gptkb:Universal_Pictures
|
gptkbp:protagonist
|
gptkb:Theo_Faron
|
gptkbp:published_in
|
gptkb:1992
|
gptkbp:rating
|
gptkb:R
84% on Rotten Tomatoes
79 on Metacritic
|
gptkbp:release_country
|
gptkb:United_States
|
gptkbp:release_date
|
December 25, 2006
2006-09-22
September 22, 2006
|
gptkbp:release_year
|
gptkb:2006
|
gptkbp:released_in
|
gptkb:2006
|
gptkbp:runtime
|
109 minutes
|
gptkbp:screenings
|
limited release
wide release
|
gptkbp:screenplay_by
|
gptkb:Alfonso_Cuarón
gptkb:David_Arata
gptkb:Timothy_J._Sexton
gptkb:Hawk_Ostby
gptkb:Mark_Fergus
|
gptkbp:set_in
|
2027
dystopian future
|
gptkbp:setting
|
future England
|
gptkbp:starring
|
gptkb:Julianne_Moore
gptkb:Michael_Caine
gptkb:Chiwetel_Ejiofor
gptkb:Clive_Owen
|
gptkbp:symbolism
|
hope and despair
|
gptkbp:themes
|
gptkb:immigration
gptkb:survival
despair
dystopia
hope
fatherhood
societal collapse
government control
humanity's future
fertility crisis
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:BAFTA_Award_for_Best_Cinematography
gptkb:BAFTA_Award_for_Best_Production_Design
|
gptkbp:bfsParent
|
gptkb:Alfonso_Cuarón
gptkb:The_Last_of_Us
gptkb:The_Invisible_Man:_The_Last_Man_on_Earth
gptkb:Clive_Owen
gptkb:The_Last_Days
gptkb:The_Last_of_Us_Part_II
gptkb:P._D._James
gptkb:THX_1138
gptkb:City_Noir
|
gptkbp:bfsLayer
|
4
|