Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical tradition
|
| gptkbp:associatedWith |
Baroque music
cultural heritage gender studies historical research opera theatrical performances art history artistic expression cultural identity cultural studies ethnomusicology musicology sacred music cultural exchanges musical competitions historical performance music history musical notation emotional expression in music musical legacy cultural anthropology artistic innovation secular music theatrical history musical festivals high-pitched singing vocal range musical collaborations historical performance practice performance styles historical recordings musical experimentation sociocultural analysis patronage systems musical pedagogy musical virtuosity musical aesthetics dramatic roles in opera historical operatic works vocal training methods |
| gptkbp:availableIn |
20th century
|
| gptkbp:characterizedBy |
singers castrated before puberty
|
| gptkbp:culturalImpact |
influence on vocal music
|
| gptkbp:culturalSignificance |
gender roles in music
|
| gptkbp:documentedIn |
historical texts
biographies of singers |
| gptkbp:historicalContext |
17th to 19th centuries
|
| https://www.w3.org/2000/01/rdf-schema#label |
Castrato tradition
|
| gptkbp:influencedBy |
social norms of the time
Catholic_Church_policies |
| gptkbp:legacy |
historical interest in vocal techniques
|
| gptkbp:notableFeature |
gptkb:Farinelli
Senesino Caffarelli |
| gptkbp:origin |
gptkb:Italy
|
| gptkbp:performedBy |
churches
theaters |
| gptkbp:relatedTo |
countertenor singing
|