|
gptkbp:instance_of
|
gptkb:Captain
gptkb:character
|
|
gptkbp:adapted_into
|
changing circumstances
|
|
gptkbp:allied_with
|
gptkb:crew_members
gptkb:Daphne
|
|
gptkbp:appears_in
|
gptkb:Wozzeck
gptkb:The_Good_Wife
gptkb:The_Great_Race
gptkb:The_Last_Ship
gptkb:The_Great_White_Hype
gptkb:The_Man_Who_Knew_Too_Much
gptkb:The_Bridge_at_Remagen
|
|
gptkbp:associated_with
|
gptkb:Joan_Fontaine
|
|
gptkbp:audience
|
Engaging
|
|
gptkbp:awarded_to
|
respect from crew
|
|
gptkbp:awards
|
Academy Award Nominations
Nominated for Academy Awards
|
|
gptkbp:box_office
|
$14 million
Successful
|
|
gptkbp:challenges
|
enemy forces
|
|
gptkbp:character_arc
|
gptkb:transformation
From underdog to hero
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_traits
|
gptkb:Loyal
gptkb:Dynamic
gptkb:Brave
gptkb:Intuitive
gptkb:Charismatic
gptkb:Courageous
gptkb:Heroic
Compassionate
Determined
Intelligent
Flawed
Visionary
Adventurous
Protective
Resourceful
Analytical
Diplomatic
Strategic
Inquisitive
Relatable
Resilient
Skeptical
Empathetic
Pragmatic
Loving Father
Tenacious
Family-Oriented
Self-Sacrificing
Moral Compass
Quick-Thinking
|
|
gptkbp:cinematography
|
gptkb:Robert_Burks
|
|
gptkbp:cinematography_by
|
gptkb:Russell_Harlan
|
|
gptkbp:command_structure
|
gptkb:Squad
Skrull ships
|
|
gptkbp:commanded
|
gptkb:USS_Nathan_James
|
|
gptkbp:communication
|
gptkb:government_officials
|
|
gptkbp:competes_with
|
gptkb:Professor_Fate
|
|
gptkbp:conflict
|
International Conspiracy
Professor Fate's schemes
|
|
gptkbp:costume_design
|
Racing suit
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Positive
|
|
gptkbp:cultural_impact
|
Iconic Status
Cult classic status
|
|
gptkbp:dedication
|
personal safety
|
|
gptkbp:developed_by
|
strategic plans
|
|
gptkbp:directed_by
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:director
|
gptkb:Blake_Edwards
|
|
gptkbp:editing
|
gptkb:Michael_A._Stevenson
gptkb:George_Tomasini
|
|
gptkbp:engaged_in
|
combat missions
|
|
gptkbp:established
|
gptkb:alliances
|
|
gptkbp:faced
|
moral dilemmas
adversity
|
|
gptkbp:famous_quote
|
" The Great Race is on!"
|
|
gptkbp:film_editing
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
|
|
gptkbp:film_length
|
160 minutes
|
|
gptkbp:film_technique
|
Suspense Building
|
|
gptkbp:fosters
|
gptkb:teamwork
|
|
gptkbp:fought_against
|
global pandemic
humanity's survival
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:comedy
|
|
gptkbp:goal
|
Win the race
|
|
gptkbp:has_authority_over
|
gptkb:Soul_Society
|
|
gptkbp:has_companion
|
gptkb:Technical_Support
|
|
gptkbp:has_role
|
Leader of Soul Reapers
|
|
gptkbp:home_media_release
|
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Captain
|
|
gptkbp:influence
|
Inspired future comedies
|
|
gptkbp:influenced
|
crew decisions
Future Thrillers
|
|
gptkbp:influenced_by
|
Previous Film Adaptation
|
|
gptkbp:inspiration
|
Real-Life Events
Real-life 1908 race
|
|
gptkbp:inspired
|
hope
crew morale
|
|
gptkbp:is_a_moment_of
|
Confrontation with Kidnappers
Final race showdown
|
|
gptkbp:is_a_solution_for
|
conflicts
|
|
gptkbp:is_analyzed_in
|
threats
|
|
gptkbp:is_considered
|
naval traditions
|
|
gptkbp:is_implemented_in
|
safety protocols
|
|
gptkbp:is_involved_in
|
Battles against Hollows
|
|
gptkbp:is_maintained_by
|
ship's operations
ship's integrity
|
|
gptkbp:is_monitored_by
|
ship's systems
|
|
gptkbp:is_motivated_by
|
Protect Family
|
|
gptkbp:is_part_of
|
gptkb:Shinobi
|
|
gptkbp:is_protected_by
|
gptkb:Survivor
national interests
|
|
gptkbp:is_recognized_by
|
gptkb:Soul_Society
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
Memorable Lines
|
|
gptkbp:led_by_example
|
in crisis situations
|
|
gptkbp:led_to
|
expeditions
the fight against disease
|
|
gptkbp:legacy
|
Film Noir Influence
|
|
gptkbp:made_decisions
|
under pressure
|
|
gptkbp:music_by
|
gptkb:Henry_Mancini
|
|
gptkbp:narrative
|
Third Person
|
|
gptkbp:navigated_through
|
difficult waters
|
|
gptkbp:navigation_system
|
ocean waters
political landscapes
|
|
gptkbp:notable_villains
|
Fate's henchmen
|
|
gptkbp:outcome
|
Wins the race
|
|
gptkbp:part_of
|
gptkb:Gotei_13
gptkb:The_Cockleshell_Heroes
|
|
gptkbp:partnership
|
rescue missions
|
|
gptkbp:personality_trait
|
gptkb:Courageous
gptkb:Charming
|
|
gptkbp:plot_involvement
|
Kidnapping
|
|
gptkbp:portrayed_by
|
gptkb:Tony_Curtis
gptkb:Samuel_L._Jackson
gptkb:Eric_Dane
gptkb:James_M._Stewart
various artists
|
|
gptkbp:production_company
|
gptkb:United_Artists
|
|
gptkbp:related_vehicle
|
Race car
|
|
gptkbp:relationship
|
gptkb:Daphne
|
|
gptkbp:relationship_with
|
His Wife
|
|
gptkbp:release_year
|
gptkb:1956
gptkb:1965
|
|
gptkbp:remake
|
gptkb:The_Man_Who_Knew_Too_Much_(1956)
gptkb:The_Great_Race_(2015)
|
|
gptkbp:resolution
|
Rescue of his child
|
|
gptkbp:responds_to
|
emergencies
|
|
gptkbp:responsible_for
|
Protecting the living world
|
|
gptkbp:rival
|
gptkb:The_Great_White_Hope
|
|
gptkbp:role
|
gptkb:leadership
gptkb:military_leadership
gptkb:protagonist
gptkb:Boxer
|
|
gptkbp:screenplay_by
|
gptkb:John_Michael_Hayes
gptkb:Arthur_A._Ross
|
|
gptkbp:served_in
|
in the Navy
|
|
gptkbp:setting
|
gptkb:London
gptkb:1908_New_York_to_Paris_Race
|
|
gptkbp:soundtrack
|
gptkb:Bernard_Herrmann
|
|
gptkbp:strategic_goals
|
gptkb:military_operations
|
|
gptkbp:subordinate_units
|
Lieutenants
|
|
gptkbp:symbolism
|
Heroism
|
|
gptkbp:theme
|
Good vs Evil
Parental Love
|
|
gptkbp:training
|
gptkb:crew_members
|
|
gptkbp:utilized
|
gptkb:naval_warfare
|
|
gptkbp:was
|
a mentor
a strategist
a tactical leader
a visionary
a problem solver
a key figure in the series
|
|
gptkbp:was_a_demonstration_of
|
courage
leadership skills
|
|
gptkbp:was_executed_by
|
missions successfully
|
|
gptkbp:bfsParent
|
gptkb:The_District_of_Columbia_National_Guard
gptkb:John_Mc_Cain
gptkb:Harry_S._Truman
gptkb:United_States_Air_Force
gptkb:United_States_Armed_Forces
gptkb:military
|
|
gptkbp:bfsLayer
|
3
|