Cage: Sonatas and Interludes
GPTKB entity
Statements (99)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:adaptation |
arrangements for other instruments
adapted for various ensembles |
| gptkbp:art_movement |
part of the avant-garde movement
|
| gptkbp:art_style |
explores the boundaries of sound and silence.
|
| gptkbp:associated_with |
John Cage's legacy
|
| gptkbp:audience |
provoked diverse reactions from audiences
|
| gptkbp:author |
gptkb:Yvar_Mikhashoff
analyzed by musicologists |
| gptkbp:characteristics |
preparation of piano strings
|
| gptkbp:collaborations |
collaborated with various artists
collaborated with various artists and musicians |
| gptkbp:composer |
gptkb:John_Cage
|
| gptkbp:critical_reception |
widely acclaimed
widely acclaimed by music critics |
| gptkbp:cultural_impact |
influenced contemporary classical music
|
| gptkbp:cultural_references |
referenced in literature and film
|
| gptkbp:cultural_significance |
important in 20th-century music
important in the context of 20th-century art music |
| gptkbp:dedication |
to the memory of Erik Satie
|
| gptkbp:duration |
approximately 50 minutes
|
| gptkbp:first_performance |
gptkb:Borough
|
| gptkbp:focuses_on |
studied in music theory courses
|
| gptkbp:form |
gptkb:Piano_Sonata
sonata form |
| gptkbp:genre |
avant-garde
contemporary classical |
| gptkbp:historical_context |
interpreted in various styles
post-World War II music various piano interpretations created during a time of musical experimentation |
| gptkbp:historical_significance |
pioneering work in prepared piano music
|
| gptkbp:influence |
chance music
|
| gptkbp:influenced |
minimalism
modern composers |
| gptkbp:influenced_artists |
inspired future generations of composers
influenced experimental and electronic music inspired visual artists and composers |
| gptkbp:influenced_by |
gptkb:Artist
gptkb:American_avant-garde Eastern philosophy surrealism experimental theater influenced by Cage's philosophy of music |
| gptkbp:influences |
Eastern philosophy
|
| gptkbp:innovation |
represents a significant innovation in music history
|
| gptkbp:inspiration |
gptkb:temple
|
| gptkbp:inspired_by |
gptkb:temple
|
| gptkbp:instrumentation |
prepared piano
|
| gptkbp:is_a_venue_for |
performed in concert halls worldwide
|
| gptkbp:is_influential_in |
influenced by other composers
|
| gptkbp:legacy |
considered a landmark in 20th-century music
|
| gptkbp:motif |
utilizes recurring motifs throughout the work
|
| gptkbp:movement |
gptkb:16
|
| gptkbp:music_style |
combines traditional and innovative elements
characterized by contrasting sections uses unconventional sound sources |
| gptkbp:notable_event |
featured in music festivals
featured in contemporary music festivals |
| gptkbp:notable_features |
use of silence
|
| gptkbp:notable_performance |
performed by various artists
performed in prestigious venues John Cage's own performances performed by renowned pianists. |
| gptkbp:notable_recordings |
multiple recordings available
multiple acclaimed recordings exist released by various artists performed by Margaret Leng Tan recorded by various renowned pianists |
| gptkbp:notable_work |
extensively analyzed in musicology
|
| gptkbp:performance |
experimental
requires specific preparation of piano changed how prepared piano is approached in performance often performed in unconventional settings performed in numerous recitals and concerts requires skillful preparation and execution |
| gptkbp:performed_by |
major music festivals
pianists worldwide concert halls globally |
| gptkbp:premiere |
1948
|
| gptkbp:premiere_date |
1948
|
| gptkbp:published_by |
gptkb:C._F._Peters
|
| gptkbp:publisher |
gptkb:C._F._Peters_Corporation
|
| gptkbp:record_label |
gptkb:Nonesuch_Records
|
| gptkbp:related_to |
Cage's philosophy of music
|
| gptkbp:related_works |
gptkb:Sonatas_and_Interludes_for_Prepared_Piano
|
| gptkbp:significance |
pioneering work in prepared piano music
|
| gptkbp:sound |
creates a unique auditory experience for listeners
|
| gptkbp:style |
experimental music
avant-garde |
| gptkbp:subject |
discussed in music theory courses
|
| gptkbp:technique |
prepared piano techniques
|
| gptkbp:thematic_element |
exploration of sound
silence and sound explores the nature of sound and silence |
| gptkbp:themes |
exploration of chance and randomness
|
| gptkbp:year_composed |
1946
|
| gptkbp:bfsParent |
gptkb:Igor_Levit
|
| gptkbp:bfsLayer |
4
|