Statements (61)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:associated_with |
post-war avant-garde movement
the Fluxus movement the New York avant-garde scene |
| gptkbp:characterized_by |
spontaneity
|
| gptkbp:composer |
gptkb:John_Cage
|
| gptkbp:cultural_impact |
significant in 20th-century music history
|
| gptkbp:dedicated_to |
gptkb:David_Tudor
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:examines |
the relationship between music and chance
|
| gptkbp:explores |
the boundaries of music
the role of the performer the concept of silence the concept of time in music the nature of musical composition |
| gptkbp:form |
piano solo
|
| gptkbp:genre |
experimental music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cage's Music of Changes
|
| gptkbp:influenced |
gptkb:performance_art
gptkb:installation_art avant-garde music sound art contemporary composers improvisational music |
| gptkbp:influenced_by |
gptkb:I_Ching
|
| gptkbp:inspired_by |
gptkb:Buddhism
|
| gptkbp:is_analyzed_in |
musicology studies
|
| gptkbp:is_considered_as |
a landmark work
|
| gptkbp:is_examined_in |
gptkb:academic_research
music theorists music criticism |
| gptkbp:notable_aspect |
use of silence as a musical element
|
| gptkbp:notable_feature |
non-traditional notation
|
| gptkbp:notable_for |
its unpredictability
its experimental approach its innovative structure its philosophical implications its impact on music education its use of unconventional techniques its role in redefining music. |
| gptkbp:notable_performance |
performed at the 1952 Darmstadt Summer Course for New Music
|
| gptkbp:notable_technique |
chance operations
|
| gptkbp:part_of |
Cage's larger body of work
Cage's exploration of sound |
| gptkbp:performed_by |
various artists
orchestras and ensembles pianists globally |
| gptkbp:performed_in |
academic institutions
theatrical settings concerts worldwide |
| gptkbp:premiere_date |
1951
|
| gptkbp:published_by |
gptkb:C._F._Peters_Corporation
|
| gptkbp:recorded_by |
numerous labels
|
| gptkbp:related_to |
Cage's philosophy of music
|
| gptkbp:significance |
pioneering work in chance music
|
| gptkbp:style |
modern classical
|
| gptkbp:uses |
indeterminacy
|
| gptkbp:utilizes |
graphic scores
|
| gptkbp:year_composed |
1951
|
| gptkbp:bfsParent |
gptkb:Piano_Works_by_Xenakis
|
| gptkbp:bfsLayer |
6
|