Statements (56)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:associated_with |
gptkb:postmodernism
experimental theater |
gptkbp:characteristic |
spontaneity
|
gptkbp:characterized_by |
non-traditional notation
|
gptkbp:collaborated_with |
gptkb:Merce_Cunningham_Dance_Company
|
gptkbp:composer |
gptkb:John_Cage
|
gptkbp:dedicated_to |
gptkb:Merce_Cunningham
|
gptkbp:duration |
approximately 30 minutes
|
gptkbp:explores |
the concept of time
the relationship between sound and silence the role of the audience the boundaries of music |
gptkbp:explores_themes |
gptkb:existentialism
|
gptkbp:genre |
experimental music
|
https://www.w3.org/2000/01/rdf-schema#label |
Cage's Music for Theater
|
gptkbp:influenced |
gptkb:performance_art
sound art modern classical music theater directors the development of new music |
gptkbp:influenced_by |
chance operations
|
gptkbp:inspired_by |
theater and dance
|
gptkbp:notable_aspect |
audience interaction
|
gptkbp:notable_feature |
use of silence
|
gptkbp:notable_for |
its innovative approach
its philosophical implications its impact on contemporary music. its experimental nature its use of unconventional instruments its unconventional structure |
gptkbp:notable_performance |
gptkb:The_New_York_City_Ballet
|
gptkbp:part_of |
Cage's legacy
Cage's body of work Cage's exploration of sound Cage's theater works |
gptkbp:performed_by |
orchestras
soloists chamber ensembles various ensembles |
gptkbp:performed_in |
gptkb:art_galleries
gptkb:theater_productions educational settings various international festivals multimedia performances |
gptkbp:premiere |
gptkb:1984
|
gptkbp:published_by |
gptkb:C._F._Peters_Corporation
|
gptkbp:recognized_by |
music critics
|
gptkbp:related_to |
Cage's other works
|
gptkbp:repertoire |
contemporary musicians
|
gptkbp:style |
avant-garde
|
gptkbp:uses |
prepared piano
|
gptkbp:uses_elements_of |
improvisation
|
gptkbp:year_composed |
gptkb:1983
|
gptkbp:bfsParent |
gptkb:John_Cage
|
gptkbp:bfsLayer |
4
|