Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:arrangements |
large ensemble
|
| gptkbp:associated_with |
post-war avant-garde movement
|
| gptkbp:characteristic |
prepared piano
|
| gptkbp:composer |
gptkb:John_Cage
|
| gptkbp:cultural_impact |
influenced contemporary composers
|
| gptkbp:dedicated_to |
gptkb:the_New_York_Philharmonic
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:explores |
time and space in music
|
| gptkbp:explores_ideas_of |
audience participation
|
| gptkbp:explores_themes |
freedom in music
|
| gptkbp:genre |
avant-garde
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cage's Music for Orchestra
|
| gptkbp:influenced |
gptkb:performance_art
gptkb:installation_art sound art modern classical music experimental theater |
| gptkbp:influenced_by |
chance music
|
| gptkbp:inspired_by |
gptkb:Buddhism
|
| gptkbp:notable_aspect |
spatialization of sound
|
| gptkbp:notable_feature |
use of silence
|
| gptkbp:notable_for |
its philosophical underpinnings
its innovative orchestration its use of unconventional instruments its unconventional structure its challenge to traditional music forms its contribution to the field of musicology its exploration of silence its impact on contemporary music education its integration of visual art elements its role in redefining orchestral music. its role in the development of new music its use of unconventional rhythms |
| gptkbp:notable_performance |
gptkb:Lincoln_Center
|
| gptkbp:notable_recordings |
gptkb:Nonesuch_Records
|
| gptkbp:part_of |
Cage's legacy
Cage's exploration of sound Cage's orchestral works |
| gptkbp:performed_at |
major music festivals
|
| gptkbp:performed_by |
gptkb:orchestra
gptkb:the_Chicago_Symphony_Orchestra gptkb:the_Berlin_Philharmonic gptkb:the_London_Symphony_Orchestra various orchestras worldwide the Los Angeles Philharmonic |
| gptkbp:performed_in |
concert halls
|
| gptkbp:premiere |
1953
|
| gptkbp:published_by |
gptkb:C._F._Peters_Corporation
|
| gptkbp:related_works |
gptkb:Sonatas_and_Interludes
|
| gptkbp:style |
experimental
|
| gptkbp:uses |
indeterminacy
|
| gptkbp:uses_elements_of |
chance operations
|
| gptkbp:year_composed |
gptkb:1952
|
| gptkbp:bfsParent |
gptkb:John_Cage
|
| gptkbp:bfsLayer |
4
|