Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:orchestra
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Symphony_No._1
|
| gptkbp:artistic_legacy |
continues to be celebrated in contemporary performances
|
| gptkbp:audience |
received warmly in later performances
|
| gptkbp:composer |
gptkb:Johannes_Brahms
|
| gptkbp:critical_reception |
initially met with mixed reviews
|
| gptkbp:cultural_impact |
remains a staple in classical music repertoire
considered a landmark in symphonic literature |
| gptkbp:cultural_references |
referenced in literature and art
|
| gptkbp:cultural_significance |
represents Brahms' response to the symphonic tradition
|
| gptkbp:dedication |
to the memory of Robert Schumann
|
| gptkbp:duration |
approximately 40 minutes
|
| gptkbp:filmography |
elements can be heard in film scores
|
| gptkbp:finale_date |
features a triumphant conclusion
|
| gptkbp:first_performance |
gptkb:Karlsruhe,_Germany
|
| gptkbp:focuses_on |
studied in music theory and composition courses
|
| gptkbp:historical_context |
composed during the late Romantic period
|
| gptkbp:historical_significance |
marks Brahms' entry into the symphonic genre
|
| https://www.w3.org/2000/01/rdf-schema#label |
Brahms' first symphony
|
| gptkbp:influence |
gptkb:Beethoven
|
| gptkbp:influenced_artists |
influenced the development of symphonic music
inspired composers like Mahler and Sibelius |
| gptkbp:inspiration |
inspired by the works of earlier composers
|
| gptkbp:instrument |
includes strings, woodwinds, brass, and percussion
|
| gptkbp:key |
C minor
|
| gptkbp:legacy |
influenced later symphonic composers
|
| gptkbp:mood |
combines melancholy and triumph
|
| gptkbp:movement |
gptkb:Allegro_non_troppo
gptkb:Andante_sostenuto gptkb:Poco_Allegretto Un poco sostenuto – Allegro |
| gptkbp:music_style |
uses counterpoint and thematic development
analyzed for its complex structure and themes employs rich harmonies and orchestral color |
| gptkbp:notable_conductors |
conducted by famous conductors like Herbert von Karajan
|
| gptkbp:notable_feature |
the 'fate' motif
|
| gptkbp:notable_performance |
performed at major music festivals
frequently performed in concert halls part of the standard orchestral repertoire |
| gptkbp:notable_production |
premiered in a significant concert setting
|
| gptkbp:notable_recordings |
widely recorded by various orchestras
recorded by orchestras worldwide |
| gptkbp:opus_number |
Op. 68
|
| gptkbp:orchestration |
gptkb:orchestra
|
| gptkbp:performance |
requires skilled orchestral musicians
|
| gptkbp:premiere |
1876
|
| gptkbp:record_label |
released by major classical music labels
|
| gptkbp:repertoire |
follows classical symphonic form
|
| gptkbp:signature_move |
the opening theme of the first movement
|
| gptkbp:social_structure |
four movements
|
| gptkbp:style |
Romantic
|
| gptkbp:thematic_element |
features recurring motifs throughout the movements
|
| gptkbp:theme |
features distinctive melodic motifs
|