Statements (62)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:audience |
popular with audiences
admired for their technical demands |
| gptkbp:composer |
gptkb:Johannes_Brahms
|
| gptkbp:critical_reception |
highly regarded by critics
|
| gptkbp:cultural_impact |
widely performed in concert halls
remains a staple in piano competitions influenced piano concerto compositions thereafter |
| gptkbp:cultural_significance |
reflects Brahms' musical philosophy
important in the Romantic era |
| gptkbp:dedication |
to the memory of Robert Schumann
dedicated to Clara Schumann |
| gptkbp:first_concerto_structure |
Allegro, Adagio, Rondo
|
| gptkbp:first_performance |
1859
|
| gptkbp:form |
concerto form
|
| gptkbp:historical_context |
19th century classical music
|
| gptkbp:historical_significance |
bridges classical and romantic styles
marks a transition in piano concerto writing |
| https://www.w3.org/2000/01/rdf-schema#label |
Brahms' Piano Concertos
|
| gptkbp:influence |
gptkb:Franz_Liszt
gptkb:Frédéric_Chopin |
| gptkbp:influenced_artists |
influenced later composers
|
| gptkbp:inspiration |
inspired by classical forms
influenced by German folk music |
| gptkbp:key |
B-flat major for the second concerto
D minor for the first concerto |
| gptkbp:legacy |
considered masterpieces of the piano concerto repertoire
|
| gptkbp:music_style |
analyzed for their structural complexity
examined for their orchestration techniques studied for their harmonic innovation |
| gptkbp:notable_performers |
gptkb:Vladimir_Ashkenazy
gptkb:Daniel_Barenboim gptkb:Martha_Argerich gptkb:Artur_Rubinstein gptkb:Emil_Gilels |
| gptkbp:notable_recordings |
recorded by many famous orchestras
performed by leading conductors |
| gptkbp:orchestration |
piano and orchestra
|
| gptkbp:performance |
often performed with cadenzas
frequently interpreted by soloists |
| gptkbp:performance_tradition |
standard repertoire for pianists
|
| gptkbp:performers |
gptkb:Piano_Concerto_No._2_in_B-flat_major,_Op._83
gptkb:Piano_Concerto_No._1_in_D_minor,_Op._15 2 |
| gptkbp:premiere_date |
1858 for the first concerto
1881 for the second concerto |
| gptkbp:premiere_location |
Hanover
|
| gptkbp:recordings |
numerous commercial recordings
|
| gptkbp:second_concerto_structure |
Allegro non troppo, Andante, Allegretto grazioso
|
| gptkbp:signature |
complex rhythms
lyrical melodies rich harmonies |
| gptkbp:structure |
three movements
|
| gptkbp:style |
Romantic
|
| gptkbp:theme |
contrast between soloist and orchestra
exploration of emotional depth development of thematic material |
| gptkbp:bfsParent |
gptkb:Brahms:_Double_Concerto
gptkb:Daniel_Barenboim gptkb:Garrick_Ohlsson gptkb:Chandos_Records |
| gptkbp:bfsLayer |
4
|