Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
literary duo
|
| gptkbp:adaptation |
film adaptations
|
| gptkbp:artMovement |
modernism
|
| gptkbp:artwork |
mystery
thriller suspense |
| gptkbp:awards |
literary awards
|
| gptkbp:collaborates_with |
co-writing
|
| gptkbp:collaborations |
1950s
1960s screenwriting over a decade novel writing |
| gptkbp:culturalImpact |
gptkb:French_cinema
psychological thrillers literary adaptations crime dramas |
| gptkbp:culturalSignificance |
psychological literature
crime literature French_film_history French_literary_history |
| gptkbp:firstPublished |
L'Inconnu de la Seine
Le Retour de l'Inconnu |
| gptkbp:genre |
crime fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
Boileau-Narcejac duo
|
| gptkbp:influence |
gptkb:Alfred_Hitchcock
film noir suspense films French_literature |
| gptkbp:influenceOn |
literary criticism
psychological horror detective fiction modern thrillers |
| gptkbp:inspiration |
real-life events
|
| gptkbp:knownFor |
writing psychological thrillers
|
| gptkbp:language |
French
|
| gptkbp:legacy |
influence on thriller genre
|
| gptkbp:members |
gptkb:Pierre_Boileau
gptkb:Thomas_Narcejac |
| gptkbp:nationality |
French
|
| gptkbp:notableFeature |
gptkb:Vertigo
Les Diaboliques |
| gptkbp:notableWork |
Celle qui n'était plus
D'Entre les Morts |
| gptkbp:theme |
identity
murder deception psychological tension |