Statements (65)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film
|
| gptkbp:artwork |
uses real locations.
|
| gptkbp:associatedWith |
interpersonal dynamics among characters.
|
| gptkbp:audience |
cult following.
provokes thought on social issues. |
| gptkbp:awards |
won several international awards.
|
| gptkbp:characterAppearance |
between tradition and modernity.
|
| gptkbp:characterArc |
the protagonist's journey.
|
| gptkbp:characterDevelopment |
focuses on indigenous struggles.
growth of the protagonist. |
| gptkbp:characterTraits |
fight against oppression.
the condor symbolizes hope. |
| gptkbp:cinematographyBy |
gptkb:Jorge_Sanjinés
|
| gptkbp:country |
gptkb:Bolivia
|
| gptkbp:criticalReception |
well-received by critics.
|
| gptkbp:culturalHeritage |
remains relevant today.
criticizes exploitation. examines indigenous struggles. sparks discussions on identity. tells the story of the oppressed. |
| gptkbp:culturalImpact |
raised awareness of indigenous issues.
|
| gptkbp:culturalSignificance |
highlighting indigenous rights.
depicts_Aymara_culture. important_in_Bolivian_history. |
| gptkbp:director |
gptkb:Jorge_Sanjinés
|
| gptkbp:distribution |
limited.
|
| gptkbp:editor |
Jorge_Sanjinés.
|
| gptkbp:filmFestival |
gptkb:Cannes_Film_Festival
|
| gptkbp:filmingLocation |
non-traditional.
|
| gptkbp:filmography |
considered a classic.
analyzed for its themes. avant-garde. inspired social movements. studied in film courses. traditional_Andean_music. |
| gptkbp:genre |
drama
|
| gptkbp:historicalContext |
set during the 1960s.
|
| gptkbp:historicalSignificance |
reflects political climate of the time.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Blood of the Condor
|
| gptkbp:influenced |
subsequent films about indigenous rights.
|
| gptkbp:influencedBy |
social realism.
Italian_neorealism. |
| gptkbp:influenceOn |
later_Bolivian_filmmakers.
|
| gptkbp:influences |
Bolivian_cinema.
|
| gptkbp:inspiration |
real-life events.
|
| gptkbp:language |
gptkb:Spanish
primarily in Aymara. |
| gptkbp:legacy |
influential_in_Latin_American_cinema.
|
| gptkbp:mainCharacter |
a young indigenous woman.
|
| gptkbp:narrativeStyle |
non-linear.
|
| gptkbp:notableFor |
depicting_social_issues_in_Bolivia.
|
| gptkbp:plot |
A story about the exploitation of indigenous people.
|
| gptkbp:productionCompany |
Grupo Ukamau
|
| gptkbp:productionYears |
1969.
|
| gptkbp:releaseFormat |
theatrical
|
| gptkbp:releaseYear |
1969
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenings |
international film festivals.
|
| gptkbp:screenplayBy |
gptkb:Jorge_Sanjinés
|
| gptkbp:soundtrack |
Luis_Alvarado
|
| gptkbp:style |
documentary-like.
|
| gptkbp:symbolism |
the condor represents freedom.
|
| gptkbp:theme |
colonialism.
identity and resistance. |
| gptkbp:viewingPlatform |
film festival screenings.
|