Bach: Sonatas for Solo Violin
GPTKB entity
Statements (98)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Christian_Tetzlaff
|
| gptkbp:arrangements |
various arrangements exist
|
| gptkbp:art_style |
expresses deep emotions
|
| gptkbp:audience |
appeals to classical music audiences
|
| gptkbp:available_formats |
CD, vinyl, digital
|
| gptkbp:challenges |
presents interpretive challenges to performers
|
| gptkbp:characteristics |
harmonics
ornamentation fugue bowing techniques double stops chaconne passacaglia string crossings |
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:critical_reception |
widely acclaimed
|
| gptkbp:cultural_heritage |
part of cultural heritage
|
| gptkbp:cultural_impact |
significant impact on Western classical music
|
| gptkbp:cultural_significance |
important work in violin repertoire
|
| gptkbp:dedicated_to |
gptkb:Prince_Leopold_of_Anhalt-Cöthen
unaccompanied violin |
| gptkbp:duration |
approximately 60 minutes
|
| gptkbp:first_performance |
gptkb:unknown
1720 |
| gptkbp:form |
sonata form
|
| gptkbp:genre |
gptkb:classical
Baroque music |
| gptkbp:historical_context |
Baroque period
subject to various interpretations |
| gptkbp:historical_significance |
historically significant work
|
| gptkbp:influenced |
many violinists
contemporary composers modern violin repertoire |
| gptkbp:influenced_by |
gptkb:Italian_violin_school
Italian violin music |
| gptkbp:influences |
influenced jazz and contemporary music
|
| gptkbp:innovation |
represents musical innovation
|
| gptkbp:inspired |
new compositions
|
| gptkbp:instrument |
gptkb:musician
solo violin |
| gptkbp:instrumentation |
solo violin
|
| gptkbp:is_analyzed_in |
music theory courses
|
| gptkbp:is_cited_in |
music reviews
|
| gptkbp:is_considered_as |
cornerstone of violin literature
|
| gptkbp:is_discussed_in |
musicology studies
|
| gptkbp:is_featured_in |
classical music playlists
violin competitions |
| gptkbp:is_influential_in |
influential in the development of violin music
|
| gptkbp:is_often_associated_with |
continuo
music literature |
| gptkbp:is_often_used_in |
gptkb:Bach's_Partitas_for_Solo_Violin
film soundtracks recitals various interpretations chamber music settings |
| gptkbp:is_studied_in |
music students
often studied by violin students |
| gptkbp:key |
various keys
|
| gptkbp:label |
gptkb:Deutsche_Grammophon
|
| gptkbp:legacy |
remains a staple in violin repertoire
|
| gptkbp:music |
varied rhythms
|
| gptkbp:music_style |
complex musical structure
unique musical language |
| gptkbp:notable_performance |
gptkb:3
three performed in major concert halls part of violin performance tradition |
| gptkbp:notable_recordings |
Gidon Kremer's recording
Bach: Sonatas for Solo Violin by Christian Tetzlaff Bach: Sonatas and Partitas by Anne-Sophie Mutter Bach: Sonatas for Solo Violin by Gidon Kremer |
| gptkbp:notable_work |
gptkb:Sonata_No._2_in_A_minor,_BWV_1003
gptkb:Sonata_No._3_in_C_major,_BWV_1005 gptkb:Sonata_No._1_in_G_minor,_BWV_1001 |
| gptkbp:part_of |
gptkb:Bach's_works_for_solo_instruments
Bach's violin works |
| gptkbp:performance |
historically informed performance practices
|
| gptkbp:performed_by |
gptkb:Gidon_Kremer
gptkb:Christian_Tetzlaff solo violinist |
| gptkbp:published_by |
1802
|
| gptkbp:published_year |
1802
|
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
| gptkbp:recorded_by |
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell gptkb:Hilary_Hahn many artists |
| gptkbp:release_year |
gptkb:1980
|
| gptkbp:social_structure |
sonata form
|
| gptkbp:soundtrack |
complex melodies
rich harmonic language |
| gptkbp:style |
gptkb:Baroque
polyphonic |
| gptkbp:technique |
requires advanced violin technique
|
| gptkbp:themes |
explores various musical themes
|
| gptkbp:written_in |
1720
|