|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:arrangements
|
various arrangements exist
|
|
gptkbp:artistic_expression
|
expresses deep emotions
|
|
gptkbp:artistic_innovation
|
represents musical innovation
|
|
gptkbp:audience
|
appeals to classical music audiences
|
|
gptkbp:available_formats
|
CD, vinyl, digital
|
|
gptkbp:challenges
|
presents interpretive challenges to performers
|
|
gptkbp:characteristic
|
harmonics
ornamentation
fugue
bowing techniques
double stops
chaconne
passacaglia
string crossings
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:critical_reception
|
widely acclaimed
|
|
gptkbp:cultural_heritage
|
part of cultural heritage
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|
gptkbp:cultural_impact
|
significant impact on Western classical music
|
|
gptkbp:cultural_significance
|
important work in violin repertoire
|
|
gptkbp:dedicated_to
|
gptkb:Prince_Leopold_of_Anhalt-Cöthen
unaccompanied violin
|
|
gptkbp:duration
|
approximately 60 minutes
|
|
gptkbp:first_performance
|
gptkb:unknown
1720
|
|
gptkbp:form
|
sonata form
|
|
gptkbp:genre
|
gptkb:classical
Baroque music
|
|
gptkbp:historical_context
|
Baroque period
|
|
gptkbp:historical_interpretation
|
subject to various interpretations
|
|
gptkbp:historical_significance
|
historically significant work
|
|
gptkbp:influenced
|
many violinists
contemporary composers
modern violin repertoire
|
|
gptkbp:influenced_by
|
gptkb:Italian_violin_school
Italian violin music
|
|
gptkbp:influences
|
influenced jazz and contemporary music
|
|
gptkbp:inspired
|
new compositions
|
|
gptkbp:instrument
|
gptkb:violin
|
|
gptkbp:instrumentation
|
solo violin
|
|
gptkbp:instruments
|
solo violin
|
|
gptkbp:is_analyzed_in
|
music theory courses
|
|
gptkbp:is_cited_in
|
music reviews
|
|
gptkbp:is_considered_as
|
cornerstone of violin literature
|
|
gptkbp:is_influential_in
|
influential in the development of violin music
|
|
gptkbp:is_often_accompanied_by
|
continuo
|
|
gptkbp:is_often_discussed_in
|
musicology studies
|
|
gptkbp:is_often_featured_in
|
classical music playlists
violin competitions
|
|
gptkbp:is_often_referenced_in
|
music literature
|
|
gptkbp:is_often_used_in
|
gptkb:Bach's_Partitas_for_Solo_Violin
film soundtracks
recitals
various interpretations
chamber music settings
|
|
gptkbp:is_studied_in
|
music students
often studied by violin students
|
|
gptkbp:key
|
various keys
|
|
gptkbp:label
|
gptkb:Deutsche_Grammophon
|
|
gptkbp:legacy
|
remains a staple in violin repertoire
|
|
gptkbp:music_style
|
complex musical structure
unique musical language
|
|
gptkbp:notable_performances
|
performed in major concert halls
|
|
gptkbp:notable_recordings
|
Gidon Kremer's recording
Bach: Sonatas for Solo Violin by Christian Tetzlaff
Bach: Sonatas and Partitas by Anne-Sophie Mutter
Bach: Sonatas for Solo Violin by Gidon Kremer
|
|
gptkbp:notable_work
|
gptkb:Sonata_No._2_in_A_minor,_BWV_1003
gptkb:Sonata_No._3_in_C_major,_BWV_1005
gptkb:Sonata_No._1_in_G_minor,_BWV_1001
|
|
gptkbp:part_of
|
gptkb:Bach's_works_for_solo_instruments
Bach's violin works
|
|
gptkbp:performance
|
historically informed performance practices
|
|
gptkbp:performance_tradition
|
part of violin performance tradition
|
|
gptkbp:performed_by
|
gptkb:Gidon_Kremer
gptkb:Christian_Tetzlaff
solo violinist
|
|
gptkbp:performers
|
gptkb:3
three
|
|
gptkbp:publication_year
|
1802
|
|
gptkbp:published_in
|
1802
|
|
gptkbp:record_label
|
gptkb:Deutsche_Grammophon
|
|
gptkbp:recorded_by
|
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell
gptkb:Hilary_Hahn
many artists
|
|
gptkbp:release_year
|
gptkb:1980
|
|
gptkbp:rhythm
|
varied rhythms
|
|
gptkbp:song
|
complex melodies
rich harmonic language
|
|
gptkbp:structure
|
sonata form
|
|
gptkbp:style
|
gptkb:Baroque
polyphonic
|
|
gptkbp:technique
|
requires advanced violin technique
|
|
gptkbp:themes
|
explores various musical themes
|
|
gptkbp:written_in
|
1720
|
|
gptkbp:bfsParent
|
gptkb:Christian_Tetzlaff
|
|
gptkbp:bfsLayer
|
5
|