Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
oratorio
|
| gptkbp:adaptation |
various arrangements
|
| gptkbp:basedOn |
the Gospel of Matthew
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:culturalImpact |
featured in films and documentaries
inspired contemporary composers studied in musicology courses performed in festivals influenced modern choral works |
| gptkbp:culturalSignificance |
important work in Western classical music
|
| gptkbp:duration |
approximately 3 hours
|
| gptkbp:hasPerformance |
gptkb:St._Thomas_Church,_Leipzig
|
| gptkbp:historicalContext |
written_during_the_Baroque_period
|
| https://www.w3.org/2000/01/rdf-schema#label |
Bach's St Matthew Passion
|
| gptkbp:influenced |
classical music
|
| gptkbp:influencedBy |
Baroque music
|
| gptkbp:inspiration |
numerous performances
|
| gptkbp:instrument |
brass
strings continuo woodwinds |
| gptkbp:language |
German
|
| gptkbp:notableFeature |
gptkb:Robert_Shaw
gptkb:Herbert_von_Karajan gptkb:Leonard_Bernstein gptkb:John_Eliot_Gardiner gptkb:Philippe_Herreweghe Erbarme dich, mein Gott Come, ye daughters, share my mourning O sacred head, now wounded We have a law annual performances during Holy Week |
| gptkbp:numberOfStudents |
two
|
| gptkbp:performedBy |
orchestra
choir churches concert halls |
| gptkbp:premieredOn |
1727
|
| gptkbp:recordings |
various artists
|
| gptkbp:structureType |
choruses
arias recitatives |
| gptkbp:style |
sacred music
|
| gptkbp:thematicElement |
betrayal
faith sacrifice suffering redemption Passion narrative |
| gptkbp:wrote |
various poets
|