Statements (52)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
gptkbp:cultural_impact |
part of classical music repertoire
|
gptkbp:dedication |
gptkb:Frederick_the_Great
|
gptkbp:duration |
approximately 60 minutes
|
gptkbp:form |
collection of pieces
|
gptkbp:genre |
Baroque music
|
gptkbp:historical_context |
written during the Enlightenment
|
https://www.w3.org/2000/01/rdf-schema#label |
Bach's Musical Offering
|
gptkbp:influence |
influenced later composers
|
gptkbp:influenced |
music theory
|
gptkbp:inspiration |
improvisation on a theme
|
gptkbp:instruments |
keyboard instruments
|
gptkbp:is_studied_in |
analyzed in musicology
|
gptkbp:language |
gptkb:German
|
gptkbp:notable_aspect |
complex counterpoint
rich harmonic language features intricate textures considered a pinnacle of Baroque music performed in festivals highly regarded by musicians often studied in conservatories integration of improvisation celebrated for its intellectual depth dedication to a patron demonstrates Bach's mastery of form exemplifies Baroque aesthetics exploration of musical ideas includes variations on a theme recognized for its emotional expressiveness reflection of Bach's musical philosophy variety of musical forms |
gptkbp:notable_feature |
use of canons
use of fugues |
gptkbp:notable_work |
gptkb:Sonata_in_A_major
gptkb:Ricercar_a_6 Fuga ex C |
gptkbp:performance |
often performed in concert
|
gptkbp:performed_by |
soloists
chamber ensembles many orchestras |
gptkbp:premiere |
1747
|
gptkbp:publisher |
Bärenreiter
|
gptkbp:recordings |
numerous recordings available
|
gptkbp:related_works |
gptkb:The_Art_of_Fugue
|
gptkbp:significance |
important work in Western classical music
|
gptkbp:structure |
three parts
|
gptkbp:style |
counterpoint
|
gptkbp:thematic_element |
based on a royal theme
|
gptkbp:year_composed |
1747
|
gptkbp:bfsParent |
gptkb:Amsterdam_Baroque_Orchestra
|
gptkbp:bfsLayer |
5
|