gptkbp:instance_of
|
gptkb:film
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Best_Cinematography
gptkb:Best_Supporting_Actor
gptkb:Palme_d'_Or
gptkb:Academy_Award_for_Best_Sound
2
Best Sound
Best Supporting Actor nomination
Best Director nomination
Best Adapted Screenplay nomination
Best Picture nomination
|
gptkbp:based_on
|
gptkb:Heart_of_Darkness
|
gptkbp:box_office
|
150 million USD
$150 million
$92 million
|
gptkbp:budget
|
$31 million
31 million USD
|
gptkbp:character
|
gptkb:Chef
gptkb:Lieutenant_Colonel_Bill_Kilgore
gptkb:Lance_B._Johnson
gptkb:Captain_Benjamin_Willard
gptkb:Colonel_Walter_Kurtz
|
gptkbp:cinematography
|
gptkb:Vittorio_Storaro
|
gptkbp:cinematography_by
|
gptkb:Vittorio_Storaro
|
gptkbp:color
|
gptkb:Color
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
Highly acclaimed
widely acclaimed
highly acclaimed
mixed reviews upon release
controversial upon release
re-evaluated positively over time
|
gptkbp:cultural_impact
|
considered a classic
referenced in popular culture
influenced filmmakers
considered one of the greatest films of all time
discussed in film studies
influential in cinema
Vietnam War representation
|
gptkbp:cultural_references
|
gptkb:video_games
gptkb:television_shows
gptkb:literature
gptkb:artworks
inspired literature
popular music
inspired video games
inspired numerous parodies
inspired music
|
gptkbp:cultural_significance
|
gptkb:American_cinema
gptkb:sound_design
Film history
Cinematic techniques
influenced filmmakers
War narratives
anti-war statement
depicts the absurdity of war
|
gptkbp:depicts
|
the effects of war on humanity
the journey into darkness
|
gptkbp:directed_by
|
gptkb:Francis_Ford_Coppola
|
gptkbp:director
|
gptkb:Francis_Ford_Coppola
|
gptkbp:distributor
|
gptkb:United_Artists
|
gptkbp:edited_by
|
gptkb:Walter_Murch
gptkb:Gerald_B._Greenberg
gptkb:Lisa_Fruchtman
|
gptkbp:famous_quote
|
The horror! The horror!
|
gptkbp:features
|
gptkb:Marlon_Brando
gptkb:Harrison_Ford
gptkb:Robert_Duvall
gptkb:Dennis_Hopper
gptkb:Martin_Sheen
gptkb:Ride_of_the_Valkyries
iconic helicopter scene
the character Captain Willard
the character Colonel Kurtz
the character Lieutenant Colonel Bill Kilgore
|
gptkbp:film_awards
|
gptkb:Palme_d'_Or
|
gptkbp:film_editing
|
nonlinear narrative
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
|
gptkbp:film_score
|
Carmine Coppola and Francis Ford Coppola
|
gptkbp:film_series
|
gptkb:Apocalypse_Now_Final_Cut
gptkb:Apocalypse_Now_Redux
|
gptkbp:film_technique
|
gptkb:Set
gptkb:lighting_system
gptkb:special_effects
gptkb:designers
improvisation
symbolism
color grading
long takes
use of silence
montage
dream sequences
voice-over narration
visual metaphors
use of music
makeup effects
|
gptkbp:filming_location
|
gptkb:Cavite
gptkb:Philippines
gptkb:Vietnam
gptkb:Luzon
|
gptkbp:genre
|
gptkb:drama
gptkb:war
psychological thriller
War Film
|
gptkbp:has_been_restored
|
gptkb:Apocalypse_Now:_Final_Cut
gptkb:Apocalypse_Now:_Redux
|
gptkbp:has_cameo
|
gptkb:Harrison_Ford
gptkb:Carmine_Coppola
gptkb:George_Lucas
gptkb:Larry_Fishburne
Francis Ford Coppola's daughter
|
gptkbp:has_genre
|
gptkb:drama
gptkb:adventure
gptkb:war
psychological thriller
|
gptkbp:has_quote
|
I love the smell of napalm in the morning.
The horror! The horror!
Charlie don't surf!
This is the end.
You can't be a part-time soldier.
|
gptkbp:has_rating
|
94% on Rotten Tomatoes
8.4/10 on IMDb
98% on Metacritic
|
gptkbp:has_sequel
|
gptkb:Apocalypse_Now_Final_Cut
gptkb:Apocalypse_Now_Redux
|
gptkbp:has_soundtrack
|
gptkb:Apocalypse_Now_Soundtrack
|
gptkbp:has_theme
|
gptkb:humanity
gptkb:war
madness
morality
imperialism
|
gptkbp:home_media_release
|
gptkb:VHS
gptkb:DVD
gptkb:Blu-ray
|
https://www.w3.org/2000/01/rdf-schema#label
|
Apocalypse Now
|
gptkbp:influenced
|
gptkb:Film_Director
gptkb:filmmakers
gptkb:art_critics
gptkb:popular_culture
Cinematography
Film editing
Cultural references
film scholars
War films
many filmmakers
many war films
|
gptkbp:influenced_by
|
gptkb:Vietnam_War
gptkb:Joseph_Conrad
gptkb:literature
gptkb:Apocalypse_Now:_The_Lost_Footage
American literature
anti-war sentiment
Vietnam War films
Vietnam War literature
Heart of Darkness by Joseph Conrad
|
gptkbp:inspiration
|
gptkb:Vietnam_War
Vietnam War experiences
|
gptkbp:inspired
|
gptkb:video_games
gptkb:documentaries
gptkb:literature
numerous parodies
documentaries about Vietnam War
|
gptkbp:inspired_by
|
gptkb:Apocalypse_Now:_The_Lost_Footage
gptkb:Hearts_of_Darkness:_A_Filmmaker's_Apocalypse
real events of the Vietnam War
|
gptkbp:is_set_in
|
gptkb:Vietnam_War
|
gptkbp:language
|
English
|
gptkbp:legacy
|
considered a classic
subject of documentaries
influential in film history
subject of analysis
subject of retrospectives
|
gptkbp:music_by
|
gptkb:Carmine_Coppola
gptkb:Francis_Ford_Coppola
|
gptkbp:narrative_style
|
surrealism
non-linear
|
gptkbp:nominated_for
|
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Academy_Awards
|
gptkbp:notable_quote
|
I love the smell of napalm in the morning.
The horror! The horror!
The horror... the horror.
|
gptkbp:notable_scene
|
Duvall's surfing scene
Kurtz's compound
Ride of the Valkyries helicopter attack
Willard's journey up the river
final confrontation with Kurtz
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
gptkbp:produced_by
|
gptkb:Francis_Ford_Coppola
gptkb:George_Lucas
|
gptkbp:production_company
|
gptkb:United_Artists
gptkb:American_Zoetrope
|
gptkbp:release_date
|
August 15, 1979
|
gptkbp:release_format
|
gptkb:Blu-ray
gptkb:video
gptkb:4_K_UHD
theatrical
theatrical release
home media
|
gptkbp:release_year
|
gptkb:1979
|
gptkbp:released
|
gptkb:1979
|
gptkbp:released_in
|
gptkb:1979
|
gptkbp:released_on
|
gptkb:DVD
gptkb:Blu-ray
|
gptkbp:remake
|
gptkb:Apocalypse_Now:_Final_Cut
gptkb:Apocalypse_Now_Final_Cut
gptkb:Apocalypse_Now_Redux
|
gptkbp:remastered
|
gptkb:2019
gptkb:2019_version
|
gptkbp:runtime
|
147 minutes
|
gptkbp:score
|
gptkb:Carmine_Coppola
|
gptkbp:screenplay_by
|
gptkb:Francis_Ford_Coppola
gptkb:John_Milius
|
gptkbp:sequel
|
gptkb:Apocalypse_Now_Final_Cut
gptkb:Apocalypse_Now_Redux
|
gptkbp:set_in
|
gptkb:Vietnam_War
|
gptkbp:setting
|
gptkb:Vietnam_War
|
gptkbp:starring
|
gptkb:Sam_Bottoms
gptkb:Marlon_Brando
gptkb:Robert_Duvall
gptkb:Dennis_Hopper
gptkb:Laurence_Fishburne
gptkb:Martin_Sheen
gptkb:Frederic_Forrest
|
gptkbp:themes
|
gptkb:Colonialism
gptkb:Madness
gptkb:war
Morality
madness
morality
Human nature
imperialism
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Best_Editing
gptkb:Academy_Award_for_Best_Sound
8
|
gptkbp:won_golden_globe
|
Best Motion Picture -Drama
|
gptkbp:won_palme_d'_or
|
gptkb:Yes
|
gptkbp:bfsParent
|
gptkb:Marlon_Brando
|
gptkbp:bfsLayer
|
3
|