|
gptkbp:instance_of
|
gptkb:film
gptkb:character
|
|
gptkbp:academy_award_for_best_actress
|
won
|
|
gptkbp:academy_award_for_best_original_screenplay
|
won
|
|
gptkbp:adapted_into
|
Woody Allen's life experiences
|
|
gptkbp:appears_in
|
gptkb:Annie_Hall
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Actress
gptkb:Academy_Award_for_Best_Original_Screenplay
nominated
Best Picture nomination
Best Actress win
Best Original Screenplay win
|
|
gptkbp:box_office
|
38 million USD
|
|
gptkbp:character
|
gptkb:Alvy_Singer
gptkb:Annie_Hall
gptkb:Rob
|
|
gptkbp:cinematography
|
gptkb:Gordon_Willis
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Highly acclaimed
highly acclaimed
|
|
gptkbp:cultural_impact
|
considered a classic
Influential romantic comedy
Influential in romantic comedy genre
|
|
gptkbp:cultural_references
|
Pop culture icon
|
|
gptkbp:directed_by
|
gptkb:Woody_Allen
|
|
gptkbp:director
|
gptkb:Woody_Allen
|
|
gptkbp:distributor
|
gptkb:United_Artists
|
|
gptkbp:editing
|
gptkb:Ruth_E._Carter
gptkb:Ruthie_Thompson
|
|
gptkbp:explores_themes
|
love and relationships
|
|
gptkbp:features_song
|
gptkb:Duke_Ellington
gptkb:George_Gershwin
|
|
gptkbp:film_awards
|
gptkb:Best_Actress
gptkb:Best_Director
Best Actress at Cannes
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_technique
|
gptkb:Flashbacks
Non-linear storytelling
Voice-over narration
Breaking the fourth wall
Fantasy sequences
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
gptkb:New_York_City
|
|
gptkbp:genre
|
gptkb:romantic_comedy
Romantic comedy
AFI's 10 Top 10 list for Romantic Comedies
AFI's 100 Years...100 Laughs list
AFI's 100 Years...100 Movies list
|
|
gptkbp:has_cameo
|
gptkb:Christopher_Walken
gptkb:Jeff_Goldblum
gptkb:Rob_Reiner
gptkb:Paul_Simon
gptkb:Shelley_Duvall
|
|
gptkbp:has_character
|
gptkb:Ellie
|
|
gptkbp:has_cultural_impact
|
influential film
|
|
gptkbp:has_relationship_with
|
gptkb:Alvy_Singer
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Annie Hall
|
|
gptkbp:influenced
|
romantic comedies
Subsequent romantic comedies
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
gptkb:Screwball_comedies
Bergman films
|
|
gptkbp:inspiration
|
Woody Allen's real-life experiences
Woody Allen's life
Diane Keaton's persona
Annie Hall character based on a real person.
|
|
gptkbp:is_cited_in
|
film studies
|
|
gptkbp:is_considered_as
|
classic film
|
|
gptkbp:is_influenced_by
|
gptkb:French_New_Wave
|
|
gptkbp:is_known_for
|
quirky personality
|
|
gptkbp:is_notable_for
|
breaking the fourth wall
its screenplay
|
|
gptkbp:is_recognized_by
|
gptkb:American_Film_Institute
|
|
gptkbp:is_set_in
|
gptkb:New_York_City
1970s
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Considered one of the greatest films of all time
influential in film history
|
|
gptkbp:music
|
gptkb:George_Gershwin
gptkb:Diane_Keaton
|
|
gptkbp:music_by
|
gptkb:George_Gershwin
|
|
gptkbp:notable_quote
|
La-dee-da, la-dee-da.
A relationship, I think, is like a shark.
You’re the first man I ever met who didn’t want to be a doctor.
I don't know what I want.
It’s so important to have a good sense of humor.
" I don't know what I want, but I want it now."
" La-dee-da, la-dee-da"
" It’s all very well to be a genius, but you have to be a genius with a sense of humor."
" You know how you can tell when you're in love? You can feel it in your bones."
" A relationship, I think, is like a shark. It has to constantly move forward or it dies."
|
|
gptkbp:plot
|
A neurotic New York comedian falls in love with an aspiring singer.
|
|
gptkbp:portrayed_by
|
gptkb:Diane_Keaton
|
|
gptkbp:premiere
|
gptkb:New_York_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Charles_H._Joffe
|
|
gptkbp:production_company
|
gptkb:United_Artists
|
|
gptkbp:rating
|
97% on Rotten Tomatoes
8.0/10 on IMDb
|
|
gptkbp:release_date
|
gptkb:1977
April 20, 1977
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
Theatrical release
|
|
gptkbp:release_year
|
gptkb:1977
|
|
gptkbp:released_in
|
gptkb:1977
|
|
gptkbp:runtime
|
93 minutes
|
|
gptkbp:screenplay
|
gptkb:Woody_Allen
gptkb:Marshall_Brickman
|
|
gptkbp:screenplay_by
|
gptkb:Woody_Allen
gptkb:Marshall_Brickman
|
|
gptkbp:set_in
|
gptkb:New_York_City
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:soundtrack
|
gptkb:jazz_music
|
|
gptkbp:starring
|
gptkb:Woody_Allen
gptkb:Diane_Keaton
|
|
gptkbp:theme
|
gptkb:Nostalgia
gptkb:Neurosis
gptkb:identity
Love and relationships
Self-discovery
|
|
gptkbp:themes
|
gptkb:romantic_comedy
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Actress
gptkb:Academy_Award_for_Best_Original_Screenplay
|
|
gptkbp:writer
|
gptkb:Woody_Allen
gptkb:Marshall_Brickman
|
|
gptkbp:written_by
|
gptkb:Woody_Allen
|
|
gptkbp:bfsParent
|
gptkb:The_Mirror_Has_Two_Faces
gptkb:The_Last_Goodbye
gptkb:Scoop
gptkb:10
gptkb:Woody_Allen
gptkb:Diane_Keaton
gptkb:The_Woman_in_Red
|
|
gptkbp:bfsLayer
|
4
|