Statements (231)
| Predicate | Object |
|---|---|
| gptkbp:adaptation |
gptkb:film_adaptations
|
| gptkbp:artistic_innovation |
use of chromaticism
|
| gptkbp:audience |
immersive storytelling
|
| gptkbp:auditory_experience |
rich orchestration
|
| gptkbp:carmen's_allure |
is irresistible
|
| gptkbp:carmen's_attitude |
towards love
|
| gptkbp:carmen's_character_arc |
starts in Act 1
|
| gptkbp:carmen's_charm |
captivates Don José
|
| gptkbp:carmen's_cultural_significance |
is notable
|
| gptkbp:carmen's_defiance |
against societal norms
|
| gptkbp:carmen's_fate |
to be free
is uncertain |
| gptkbp:carmen's_flirtation |
with Escamillo
|
| gptkbp:carmen's_impact |
on the plot
|
| gptkbp:carmen's_independence |
is highlighted
|
| gptkbp:carmen's_influence |
on Don José's decisions
|
| gptkbp:carmen's_interactions |
with other characters
|
| gptkbp:carmen's_legacy |
in opera history
|
| gptkbp:carmen's_love_interest |
gptkb:Don_José
|
| gptkbp:carmen's_occupation |
cigarette factory worker
|
| gptkbp:carmen's_personality |
free-spirited
|
| gptkbp:carmen's_rebellion |
is evident
|
| gptkbp:carmen's_relationships |
are complex
|
| gptkbp:carmen's_song |
Habanera
Seguidilla |
| gptkbp:carmen's_song_style |
is passionate
|
| gptkbp:carmen's_themes |
freedom and love
|
| gptkbp:carmen's_warning |
to Don José
|
| gptkbp:character |
gptkb:Maddalena_di_Coigny
gptkb:Andrea_Chénier gptkb:Gerard |
| gptkbp:character_appears |
Violetta and Alfredo
|
| gptkbp:character_arc |
Tannhäuser's redemption arc
|
| gptkbp:character_development |
Desdemona's strength
Iago's manipulation skills Otello's vulnerability |
| gptkbp:character_motivation |
Tannhäuser's quest for meaning
|
| gptkbp:character_relationships |
Tannhäuser and Elisabeth
Tannhäuser and Venus Desdemona and her father Brabantio Iago and Otello Iago and Roderigo Otello and Desdemona |
| gptkbp:characters |
gptkb:Tannhäuser
gptkb:Venus gptkb:Elisabeth Hermann |
| gptkbp:climax |
Violetta's decision to pursue love
Tannhäuser's choice Tannhäuser's confrontation with Venus Duke's decision |
| gptkbp:conflict |
political turmoil
social class tensions Iago's manipulation Carmen and Don José Violetta's past and future Tannhäuser's internal conflict Otello's marriage to Desdemona |
| gptkbp:contains |
the Song of the Moon
the motif of the moonlight |
| gptkbp:critical_reception |
positive reviews
notable performances |
| gptkbp:cultural_aspect |
gptkb:French_Revolution
societal expectations racial tensions gender roles |
| gptkbp:cultural_impact |
influence on later operas
|
| gptkbp:cultural_references |
gptkb:mythological_figure
Parisian high society |
| gptkbp:cultural_significance |
exploration of love
|
| gptkbp:depicts |
the beauty of the natural world
Rusalka's longing for the Prince |
| gptkbp:don_josé's_dilemma |
choosing between duty and love
|
| gptkbp:don_josé's_transformation |
begins here
|
| gptkbp:dramatic_device |
soliloquy
|
| gptkbp:dramatic_element |
gptkb:betrayal
gptkb:sacrifice love triangle |
| gptkbp:dramatic_tension |
Tannhäuser's dilemma
|
| gptkbp:duet |
Maddalena and Andrea duet
Tannhäuser and Elisabeth |
| gptkbp:duration |
approximately 60 minutes
|
| gptkbp:emotional_theme |
longing and desire
|
| gptkbp:escamillo's_entrance |
to impress Carmen
|
| gptkbp:escamillo's_role |
gptkb:bull_riding
|
| gptkbp:establishes |
the magical world of the forest
|
| gptkbp:events |
Gerard's unrequited love
Maddalena and Andrea's first meeting Maddalena's birthday party discussion of political issues Violetta meets Alfredo |
| gptkbp:explores |
themes of transformation
the idea of longing and desire |
| gptkbp:features |
gptkb:the_Water_Goblin
the Habanera the Seguidilla the character of the Forest Spirit the character of the Prince's companions the character of the Witch the character of the Wood Nymphs |
| gptkbp:film |
Violetta's party
|
| gptkbp:highlights |
the conflict between Rusalka and her father
|
| gptkbp:historical_context |
gptkb:Elizabethan_theatre
19th century Germany Venetian society |
| gptkbp:historical_figure |
gptkb:Robespierre
gptkb:Marquis_de_Coigny gptkb:Danton |
| https://www.w3.org/2000/01/rdf-schema#label |
Act 1
|
| gptkbp:includes |
Rusalka's interactions with the forest creatures
the Prince's arrival the character of the Prince's entourage the character of the Prince's love interest the motif of water |
| gptkbp:influence |
German Romantic opera
Verismo movement |
| gptkbp:inspiration |
German folklore
|
| gptkbp:installation |
the central conflict of the opera
|
| gptkbp:integrates_with |
the opera's overall themes
|
| gptkbp:introduced |
gptkb:Iago
gptkb:Otello gptkb:Desdemona the theme of sacrifice Carmen's character Rusalka's desire to become human the character of Ježibaba |
| gptkbp:is_a_blend_of |
fairy tale and tragedy
|
| gptkbp:is_a_culmination_of |
Rusalka's decision to seek help from Ježibaba
|
| gptkbp:is_a_key_component_of |
the opera's narrative structure
|
| gptkbp:is_characterized_by |
lyrical melodies
rich character development |
| gptkbp:is_divided_into |
several scenes
|
| gptkbp:is_followed_by |
gptkb:Act_2
|
| gptkbp:is_foreshadowed_by |
Violetta's fate
|
| gptkbp:is_known_for |
its haunting melodies
its enchanting orchestration |
| gptkbp:is_noted_for |
its dramatic tension
|
| gptkbp:is_part_of |
a three-act opera
the opera's first act. |
| gptkbp:is_reflected_in |
Czech folklore
|
| gptkbp:is_significant_for |
its emotional depth
|
| gptkbp:language |
prose
iambic pentameter |
| gptkbp:legacy |
influence on later operas
|
| gptkbp:libretto |
Wagner's own text
|
| gptkbp:literary_devices |
gptkb:metaphor
symbolism imagery irony foreshadowing |
| gptkbp:location |
gptkb:Duke's_palace_in_Venice
Valkyries' cave |
| gptkbp:micaëla's_concern |
Don José's well-being
|
| gptkbp:micaëla's_message |
to Don José
|
| gptkbp:micaëla's_role |
Don José's childhood friend
|
| gptkbp:mood |
festive
|
| gptkbp:motif |
light and darkness
appearance vs reality Venusberg motif |
| gptkbp:music_style |
gptkb:exhibition
gptkb:Romanticism romanticism three acts aria and recitative Violetta's illness Iago's true intentions |
| gptkbp:musical_motifs |
leitmotifs
|
| gptkbp:musical_number |
gptkb:Libiamo_ne'_lieti_calici
|
| gptkbp:narrative_style |
lyrical storytelling
|
| gptkbp:notable_aria |
gptkb:Andrea's_aria
gptkb:Maddalena's_aria Tannhäuser's aria |
| gptkbp:notable_production |
gptkb:La_Scala
gptkb:opera |
| gptkbp:notable_song |
gptkb:Valkyrie
Chorus of the guests |
| gptkbp:orchestration |
large orchestra
|
| gptkbp:performance |
gptkb:orchestra
staging |
| gptkbp:performance_style |
dramatic singing
|
| gptkbp:performed_by |
soprano and orchestra
|
| gptkbp:performed_in |
the Czech language
|
| gptkbp:plot |
Tannhäuser's struggle between love and desire
|
| gptkbp:plot_point |
Iago's deceit
Desdemona's loyalty Brabantio's anger Iago's soliloquy Otello's defense of his marriage |
| gptkbp:presents |
the theme of nature vs. humanity
|
| gptkbp:public_reaction |
tension
anticipation emotional engagement enthusiastic applause |
| gptkbp:related_show |
Rusalka's plea to the Moon
|
| gptkbp:resolution |
Tannhäuser's decision to leave Venus
Otello's appointment as governor |
| gptkbp:sets_the_stage_for |
Rusalka's transformation
|
| gptkbp:setting |
Maddalena's home
luxurious Parisian salon a cigarette factory |
| gptkbp:symbolism |
gptkb:letters
gptkb:rose freedom revolutionary ideals the handkerchief flowers representing love and mortality |
| gptkbp:thematic_contrast |
sacred vs. profane
|
| gptkbp:thematic_element |
forbidden love
|
| gptkbp:thematic_resolution |
Tannhäuser's choice of love over lust
|
| gptkbp:theme |
love and sacrifice
love and revolution |
| gptkbp:themes |
the nature of love
|
| gptkbp:visual_elements |
staging and costumes
|
| gptkbp:bfsParent |
gptkb:La_Bohème
gptkb:Siegfried gptkb:Mimi gptkb:Ruth gptkb:Luca gptkb:The_Doctor gptkb:The_Nutcracker gptkb:Otello gptkb:La_Traviata gptkb:Swan_Lake gptkb:Ophelia gptkb:Sophie gptkb:Gertrude gptkb:Nina gptkb:The_Room_Where_It_Happens gptkb:Carmen |
| gptkbp:bfsLayer |
4
|