|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
lyrical
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:audience
|
international
|
|
gptkbp:award
|
gptkb:Palme_d'_Or
|
|
gptkbp:box_office
|
limited release
|
|
gptkbp:character
|
gptkb:Jen
Tong
Huay
Boonsong
|
|
gptkbp:character_development
|
subtle
|
|
gptkbp:cinematography
|
gptkb:Sayombhu_Mukdeeprom
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:country
|
gptkb:Thailand
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_significance
|
gptkb:Thai_cinema
|
|
gptkbp:director
|
gptkb:Apichatpong_Weerasethakul
|
|
gptkbp:distributor
|
gptkb:Strand_Releasing
|
|
gptkbp:editing
|
gptkb:Lee_Chatametikool
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Nakhon_Phanom
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Letter to Uncle Boonmee
|
|
gptkbp:influenced_by
|
personal experiences
Thai history
|
|
gptkbp:influences
|
gptkb:Andrei_Tarkovsky
gptkb:David_Lynch
gptkb:Terrence_Malick
|
|
gptkbp:inspiration
|
gptkb:Buddhism
gptkb:Japanese_folklore
|
|
gptkbp:language
|
gptkb:Thai
|
|
gptkbp:language_spoken
|
minimalistic
|
|
gptkbp:main_character
|
Uncle Boonmee
|
|
gptkbp:music
|
gptkb:Buddhadeb_Dasgupta
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:narrative_style
|
magical realism
|
|
gptkbp:premiere
|
Cannes 2010
|
|
gptkbp:production_company
|
Kick the Machine
|
|
gptkbp:release_year
|
gptkb:2010
|
|
gptkbp:runtime
|
114 minutes
|
|
gptkbp:screenplay
|
gptkb:Apichatpong_Weerasethakul
|
|
gptkbp:setting
|
rural Thailand
|
|
gptkbp:sound_design
|
ambient
|
|
gptkbp:style
|
slow cinema
|
|
gptkbp:symbolism
|
gptkb:death
gptkb:memory
nature
|
|
gptkbp:theme
|
reincarnation
|
|
gptkbp:themes
|
gptkb:identity
gptkb:family
gptkb:spirituality
connection to nature
|
|
gptkbp:visitors
|
meditative
|
|
gptkbp:bfsParent
|
gptkb:Apichatpong_Weerasethakul
|
|
gptkbp:bfsLayer
|
5
|