1930 International Surrealist Exhibition
GPTKB entity
Statements (31)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:artistic_influence |
inspired future surrealist exhibitions
promoted collaboration among artists increased visibility of Surrealism |
| gptkbp:date |
gptkb:1930
|
| gptkbp:exhibited_at |
The Lovers by René Magritte
The Persistence of Memory by Salvador Dalí The False Mirror by René Magritte The Harlequin's Carnival by Joan Miró The Great Masturbator by Salvador Dalí The Eye of Silence by Yves Tanguy |
| gptkbp:featured_artist |
gptkb:Yves_Tanguy
gptkb:Salvador_Dalí gptkb:Max_Ernst gptkb:Joan_Miró |
| https://www.w3.org/2000/01/rdf-schema#label |
1930 International Surrealist Exhibition
|
| gptkbp:influenced |
gptkb:Surrealism
|
| gptkbp:influenced_by |
gptkb:Dadaism
|
| gptkbp:is_attended_by |
gptkb:Louis_Aragon
gptkb:Pablo_Picasso gptkb:Paul_Éluard |
| gptkbp:is_organized_by |
gptkb:André_Breton
|
| gptkbp:legacy |
considered a landmark event in Surrealism
helped establish Paris as a center for Surrealism influenced the direction of modern art |
| gptkbp:location |
gptkb:Paris
|
| gptkbp:notable_works |
The Lovers by René Magritte
The Elephants by Salvador Dalí The Song of Love by Giorgio de Chirico |
| gptkbp:bfsParent |
gptkb:The_Lovers
|
| gptkbp:bfsLayer |
4
|